perm filename MSS.LCS[UP,DOC]13 blob
sn#371125 filedate 1978-08-03 generic text, type T, neo UTF8
********* MSS *************** 4/16/78
***PROGRAMS TO EDIT MUSIC ON DISPLAY AND PRINT IT ON XGP OR CALCOMP ***
THIS SERIES OF PROGRAMS IS THE PROPERTY OF LELAND SMITH, PROFESSOR OF MUSIC
AT STANFORD UNIVERSITY. IT MAY NOT BE USED OR COPIED WITHOUT HIS PERMISSION.
TO RUN: TYPE 'R MS'
<<<<<< SOME GENERAL ADVICE: 'SAVE' THE WORK OFTEN.(SEE PG.6)
PUT IN ALL NOTES, CLEFS, BEAMS, ETC.(ALL THE THINGS PUT IN
WITH 'SCORE' INPUT) FIRST. THEN DO ALL 'JUSTIFYING'(PG.8)
OF LINES, IF NEEDED, BEFORE ADDING OTHER WORDS, NUMBERS,
ETC. (THE PROGRAM WILL RUN FASTER AND YOU WILL HAVE THE
FINAL POSITIONS OF THE NOTES DISPLAYED.)
SEE SECTION ON 'SCORE' INPUT (PG.9) FOR FIRST STEPS IN INPUT.
HORIZONTAL SPACING IS ON A FIXED SCALE OF 0 TO 200.
VERTICAL SPACING IS BY NOTE LEVEL NUMBERS IN RELATION TO EACH STAFF.
THERE EIGHT STAVES (NUMBERED FROM 0 TO 7) AVAILABLE IN EACH 'MS'
UNIT. HOWEVER SEVERAL 'MS' UNITS MAY BE COMBINED AT OUTPUT TIME TO
TO FORM ORCHESTRAL SCORES USING VERY MANY STAVES.
THE POSITION OF MIDDLE C IN THE TREBLE CLEF IS TAKEN AS 1. D=2, G=5,
C ABOVE=8, G ABOVE=12, ETC. THE B BELOW MIDDLE C = 0, A=-1, G=-2,
ETC. THUS VERTICAL POSITIONS UP FROM MIDDLE C MAY BE THOUGHT OF AS
THE NUMBERS OF THE DIATONIC INTERVALS FROM C. (HOWEVER THIS DOES NOT
FOLLOW WHEN GOING DOWN FROM MIDDLE C.)
***** THE 'FILE' COMMAND. *****
ALMOST ALL THE COMMANDS THAT CAN BE ENTERED FROM THE TTY CAN ALSO BE
PUT INTO AN EDIT FILE. TO USE SUCH A FILE, WITH THE NAME 'STUFF',
IN 'MS' TYPE: FILE STUFF<CR>
EACH LINE READ FROM THE FILE WILL BE INTERPRETED THE SAME AS IF IT
HAD BEEN TYPED ON THE KEYBOARD.
**********************************************************************
THE CODE NUMBERS: ROUGH INDEX: THE 'PAGE' NUMS.
1 - NOTES CODE NUMS. 2,3,4,5
2 - RESTS LETTERS, WORDS(T) 6
3 - CLEFS, DYNAMICS VARIOUS COMMANDS 7
4 - LINES, BOXES, DASHES XGP INFO. 7
Z,P,G,S,AD, ETC. 7
5 - SLURS, BRACKETS EDIT MODES 8
6 - BEAMS, TREMOLO MOVE, COPY, ETC. 8
7 - TRILL, PEDALS, OTTAVA DP, JUSTIFY, ETC. 8
8 - STAFF IN, READ (INPUT) 9
9 - MISC. AUTO. SPACING 10
10 - NUMBERS PARTS AND
PAGE LAYOUT 10
11 - LIBRARY SUBROUTINE LIST 11
12 - CIRCLES RPG LIST 12
16 - LETTERS (T=text)
17 - KEY SIG.
18 - METER
*** SUMMARY OF LETTER COMMANDS ***
G name = GET FILE name RS name = RESTART AND GET name
SA name = SAVE FILE name SB name = SAVE WITH DPY, name
SM = SAVE WITH SAME NAME DPY GM name = GET FILE name AND ADD TO DPY.
SA SAME = SAVE WITH SAME NAME(NO DPY)
---IN GENERAL, USE 5-LETTER NAMES. ALL NAMES MAY HAVE A 3-LETTER
EXTENSION. THE DEFAULT EXTENSION IS '.DMD'.
IN n,n,n... = INPUT ON STAFF n, etc.
READ name n = READ EDIT FILE name AND PUT IT ON STAFF n.
T n,n... = TYPE IN WORDS, LETTERS, n = STAFF n, ETC.
TL n,n = SET TYPE OUT LOCATION, TOP=n1, BOTTOM=n2
Z n,n,n = ZOOM LENS TO SIZE n, ETC.
P n,n... =PRINT CURRENT VAL. OF PARAM n, OR LIST OF ITEMS n→n.
SP n = SET SPACING STAFF NUMBER TO n.
AD n,n = ADJUST STEMS TO MEET BEAMS ON STAFF n, ETC.
SH = SHOW SHAPES OF TYPE FONTS BEING DISPLAYED.
SHX = (EXIT) GO BACK TO 'PRIMITIVE' UPPER CASE ONLY.
SHP = SHOW ALL IN 'PRIM' FONT (UPPER AND LOWER CASE).
M = MOVE A GROUP OF ITEMS
C = COPY A GROUP OF ITEMS
CN,CH,CT = CENTER ON NOTE(S), ON NOTE HEADS, ON NOTE STEM.
CB = CENTER WITH BIG RANGE (6)
A = ALTER THE PARAMETERS OF A GROUP OF ITEMS
J = JUSTIFY ONE OR ALL LINES.
ST n,n = EDIT ON STAFF n CODE NUMBER n.
ED n,n,n = EDIT AT HORIZ. POS. n, ON STAFF n, CODE NUM. n.
L,R,U,D n = LEFT, RIGHT, UP, DOWN n NOTCHES.
I n = EDIT ITEM NUMBER n.
N n = SAME AS 'I' BUT NO PROMPTS WILL BE GIVEN.
N = 'N' GIVEN AFTER 'I' CAUSES NO PROMPTS TO BE GIVEN.
T = RETURN TO NORMAL PROMPTS AFTER 'N' HAS BEEN USED.
S = SET; THEN A = ALIGN.
LP = LIGHT PEN
DP n,n,.. = CAUSE TO DISAPPEAR STAVES n,n...
******* KEY TO THE PARAMETER NUMBERS *******
P1=CODE NUMBER, P2=STAFF NUMBER,
P3=HORIZONTAL POSITION, P4=VERTICAL POSITION BY NOTE NUMBER,
P5=OFTEN 2ND VERTICAL POS., P6=OFTEN 2ND HORIZONTAL POS.
P13 IS USED FOR "HOMING". SEE EDITING SECTION.
****** THE FOLLOWING CODE NUMBERS ARE USED MAINLY FOR EDITING.
1 NOTES: 1, STAFF, POS, NOTE NUM(VERT. POS.),
(P5) STEM DIR & ACCI,
(P6) FILLED IN? (≥0)
(P7)NUM OF TAILS(1=8TH,4=64TH, ETC.)
(IF 2 DIGITS, LFT IS NUM OF DOTS.)
(P8)STEM EXT. BY NT NUM. (999 IS SAME AS 0 HERE.)
(P9)=-1 TO SUPPRESS LEDGER LINES.
(P9 ALSO STORES RHYTHMIC VALUE FOR SPACING.)
(P10)=-1 PUTS SLASH ON GRACE-NOTE TAIL (1000 IN P8=SAME)
=1 PUTS NOTE ON STAFF BELOW, =2 PUTS IT ON STAFF ABOVE.
(P11)=ACCENTS, FERMATA, ETC. (SEE CODE 9 FOR LIST)
2 ITEMS MAY BE ENTERED. E.G. FOR A STACCATO AND
AN ACCENT TYPE 705. THE 1ST DIGIT IS FOR THE DOT,
THE LAST 2 FOR THE ACCENT.
THE 1ST ITEM WILL BE FARTHEST AWAY FROM THE NOTE HEAD.
ADD DECIMALS TO DISPLACE THE ITEMS VERTICALLY.
(P12)=CHANGE SOURCE POS. OF STEM. (USE WITH P4=400+)
P4: 100S GIVE MINIS, 200S GIVE DIAMOND SHAPE (HARMONICS)
300S GIVE 'X' NOTES (FOR PERCUSSION, ETC.), 400S=NO NOTE HEAD.
500S GET EARLY MUSIC PACKAGE (SEE EARLY.F4 FOR INFO).
P5: <10= NO STEM, 10-15=STEM UP, 20-25= STEM DOWN
1,11 OR 21=FLAT; 2,12,22=#; 3,13,23=NATURAL; 4=DBL b; 5=DBL #
P6: POS NUM OR 0 = BLACK NOTE, ANY NEG NUM = WHITE NOTE.
10,-10 'HOMES' TO RIGHT OF STEM.
20,-20 'HOMES' TO LEFT OF STEM.
USE THIS WHEN IT IS NECESSARY TO DISPLACE NOTES (OR WHOLE
CHORDS) ONE NOTE WIDTH. (SEE INFO RE. "HOMING" OF BEAMS
IN SUCH CASES. SECT. ???)
30,-30(FOR 0,-1) PUTS DOTS IN PROPER PLACE IN COMPLEX CHORDS.
IF P7 HAS 2 DIGITS THE NOTE IS DOTTED; 2ND DIG. IS NUM OF TAILS.
IF 2ND DIGIT IS 1 AND P6 IS NEG. A WHOLE NOTE PRINTS.
IF 2ND DIGIT IS 2 A DOUBLE WHOLE NOTE PRINTS.
DECIMALS AFTER P5 OR P7 SPACE OUT ACCIDENTAL OR DOT.
ADD 100 TO P7 TO SPACE A DOT TO EXACTLY THE POSITION OF ANOTHER
DOT ON A NOTE PLACED TO THE RIGHT OF AN UPWARD STEM.
2 RESTS: 2, STF, POS, HGT, P5=REST TYPE
P5 = -2=WHOLE, -3=DOUBLE WHOLE, -1=HALF, 0=1/4, 1=1/8, 2=1/16, ETC.
P6) 1=DOTTED, P7) HOLDS RHYTHMIC VALUE. (1=QTR, .5=EIGHTH, ETC.)
P6 = -1 MAKES AN INVISIBLE REST (NEEDED IN 'PAGE' PROG.)
P8=NUMBER OF MEASURES REST(TO 999). THE REST WILL ALWAYS
TURN INTO A WHOLE REST (OR A DOUBLE WHOLE IF P5=-3).
A HORIZONTAL LINE WILL DISPLAY BELOW THE REST TO
FACILITATE CENTERING BETWEEN 2 BAR LINES. (USE P9=-1 TO
CENTER IT.) TO CHANGE THE WIDTH OF THIS CENTERING LINE
ALTER P6. (IF P6=0 THE LINE WILL EXTEND ABOUT 10 UNITS
IN EACH DIRECTION. A NON-ZERO ENTRY WILL CHANGE THIS.)
P8=-1 GIVES WHOLE REST (DBL WHL IF P5=-3) WITHOUT NUMBER ABOVE.
P8=-4 MAKES A MEASURE REPEAT SIGN. ( ./. ) (CENTER WITH P9)
******************* CENTERING RESTS *******************
P9=-1 WILL CENTER WHOLE REST BETWEEN THE POSITION GIVEN IN P3
AND THE NEXT FOLLOWING BAR LINE (REGARDLES OF STAFF #).
THE ACTUAL POSITION OF THE REST WILL THEN BE
AUTOMATICALLY PUT INTO P9 AND P3 WILL REMAIN UNCHANGED.
IN THIS WAY CENTERED RESTS MAY BE USED IN THE 'PAGE'
PROGRAM WITHOUT CAUSING ANY CONFUSION IN REGARD TO THE
ALIGNMENT OF RHYTHMIC VALUES.
3 CLEFS, DYNAMICS AND OTHER THINGS:
3, STAFF, POS, P4=HGT CHANGE(TO MAKE SOP. ETC.),P5=CLEF NUM
P6-P9 (SAME AS IN CODE 11)
P8=THICKNESS OF ITEMS 100-103 (SEE BELOW. THE THICKNESS IS
DEPENDANT ON THE REAL OUTPUT SIZE. HOWEVER, P8=.5 MAKES
DOUBLE LINE THICKNESS REGARDLESS OF FINAL OUTPUT SIZE.)
CLEF NUMS ARE: TREB=0, BASS=1, ALTO=2, TENOR=3, PERCUSSION=4,
[0.8=TREBLE CLEF WITH 8 UNDER TAIL (FOR TENOR VOICE)]
6=ARROW, 10=b, 11=#, 12=NAT., 13=bb, 14=x, 15=hlf note,16=whle note.
ADD 100 TO P4 FOR MINICLEFS.) (P6-P9 AS IN CODE 11.)
OTHER THINGS: P5=40 = ppp 41 = pp 42 = p 43 = mp 45 = sf
50 = mf 51 = f 52 = ff 53 = fff 54 = fp
92 = sfz
70 = CRESC. 71 = SUBITO 72 = POCO
80 = ACCEL. 81 = MENO 82 = DIM.
30 = ED 31=MORDANT 37=RIT.
33 = CURVY BRACKET 44 = HEAVY WEDGE
61 = SEGNO 62 = TURN 90 = MOLTO 91 = PIU
100 = SHORT WIGGLE 101 = MEDIUM WIGGLE
102 = LONG WIGGLE (FOR SLOPING GLISS, ETC.)
103 = CRESC. SIGN (FOR SLOPING)
104 = LEFT SQUARE BRACKET(USE -P6 VALUE FOR RT. BRKT)
105 = FLAT IN PARENTHESES
106 = SHARP IN PARENTHESES
107 = NATURAL IN PARENTHESES
---- MORE WILL BE ADDED! ---(FILES CLEFA,B,C,D,E,F,G ARE FULL)
********* LETTER INPUT FOR MANY OF THE ABOVE *********
MANY OF THE ABOVE ITEMS LISTED UNDER CODE 3 CAN BE ENTERED BY
LETTER COMMANDS. FOR EXAMPLE THE MARK 'ppp' COULD BE PLACED
ON STAFF 3, HOZIZONTAL POSITION 125, BY TYPING THE FOLLOWING:
PPP 3 125 <CR>
IN THIS CASE IF NOTHING IS MENTIONED FOR PARAMETER 4 IT WILL
AUTOMATICALLY BECOME -5. ANY NON-ZERO NUMBER IN P4 CAN CHANGE
THIS.
THE GIVEN STRING IS GHANGED BY THE PROGRAM INTO 3 3 125 -5 40,
I.E. THE CODE 3 DESIGNATION IN PARAMETER 1 AND THE 40 FOR
PARAMETER 5 ARE BOTH CREATED BY THE LEADING 'PPP'.
THE ITEMS THAT CAN BE ENTERED IN THIS MANNER ARE LISTED BELOW
WITH THE SPECIFIC LETTERS THAT MUST BE TYPED. THE DEFAULT
VERTICAL POSITION FOR ALL BUT THE LAST TWO IS P4=-5.
PPP - PPP PP - PP P - P MP - MP
FFF - FFF FF - FF F - F MF - MF
SF - SF SFZ - SFZ
PO - POCO PI - PIU RI - RIT. AC - ACCEL.
CR - CRESC. DI - DIM. ME - MENO MO - MOLTO
PZ - PIZZ. AR - ARCO FE - FERMATA AT - A TEMPO
( - LEFT PAREN. ) - RT. PAREN.
BAR - BARLINE BRC - BRACE(CURVY) BRK - BRACKET(FRONT OF SYS.)
IN THE LAST LINES, PIZZ., ARCO, A TEMPO, ( AND ) WILL BE CREATED
UNDER CODE 16. THE DEFAULT VERTICAL POSITION FOR THESE IS P4=14
(ABOVE THE STAFF.) THE FERMATA IS CREATED UNDER CODE 9. ITS
DEFAULT VERTICAL POSITION IS 12.
BAR, BRC AND BRK WILL BE UNDER CODE 4.
***** EARLY MUSIC ITEMS (SEE APPENDIX RE. 'EXTRA')******
C CLEF=26, F CLEF=27, END-OF-LINE WIGGLE=28
20-25, 29 = EARLY MUSIC NOTATION (USE THESE IN P6 OF 'NOTES')
20=MAXIMA, 21=LONGA, 22=BREVIS 23=SEMIBREVIS
24=MINIM, 25=SEMIMINIM, 29=INVERTED LONGA (FOR LIGATURES)
**** SEE TABLE ON NEXT PAGE FOR VARIOUS USES OF CODE #4. ****
4 LINES: 4, STF, POS, P4, P5, P6, P7, P8, P9, P10
(P4) NUM OF STAVES UP FOR BAR LINE - IF ALL HIGHER
PARAMETERS = 0, OR HGT1 (i.e.VERT. POS1 IF LINE).
FOR HEAVY BAR LINES ADD 100*THICKNESS TO NUMBER IN P4
ADD 1000 MORE FOR THIN DOUBLE BAR.
2ND DIGIT FROM LEFT WILL MAKE RIGHT HAND BAR THICKER.
(P7) 1=DASHES. IF P5=50 +N IN P7=CRESC., -=DECRESC.
2=HORIZ. DASHES.
-1 = VERTICAL WAVY LINE. -2 = HORIZONTAL WAVY LINE.
3 OR 4 = LARGE BRKT. (SEE DIAGRAM FOLLOWING)
5 MAKES CURVEY BRACKET (AS USED FOR PIANO MUSIC, ETC.)
P9=WIG.UNIT HGT., P8 CHANGES WIGGLE WIDTH.
....P6=RIGHT END POINT OF WIGGLE.
P10=ADDED WIDTH FOR WIGGLES AND DASHES.(1=1 MORE, ETC.)
(P8) NON-ZERO GIVES HORIZ. BOX SIZE(BY NT NUMS) IF P5=50
IF VERT. DASHES, P8 SETS SIZE.(ALSO AFFECTS WIGGLES.)
P8 ALSO CAN AFFECT BRACKETS. SEE DIAGRAM FOLLOWING.
(P9) GIVES VERT. BOX SIZE, IF P5=50.(AFFECTS VERT. WIGGLES ALSO.)
(P10)=THICKNESS IF STRAIGHT VERTICAL LINE OR BOX(NOT BAR LINE.)
(P11)=DISPLACEMENT FOR RIGHT SIDE OF BOX (PARALLELOGRAM).
RESUME OF CODE 4 PARAMETERS
----------------------|-------|-------|-------|-------|-------|-------
P4 | P5 | P6 | P7 | P8 | P9 | P10
----------------------|-------|-------|-------|-------|-------|-------
LINES HGT.1 | HGT.2 | POS.2 | 0 | 0 | 0 |
----------------------|-------|-------|-------|-------|-------|-------
HEAVY VERT.LINE BOT. | TOP | =P3 | 0 | 0 | 0 | THICKN.
----------------------|-------|-------|-------|-------|-------|-------
BAR LINE N=NUM. OF | 0 | 0 | | | |
STAVES UP | | | | | |
(+1000 FOR DBL BAR)| | | | | |
----------------------|-------|-------|-------|-------|-------|-------
HEAVY BAR N+100* | 0 | 0 | | | |
THICKNESS | | | | | |
(+1000 FOR DBL BAR)| | | | | |
----------------------|-------|-------|-------|-------|-------|-------
REPT. BARS NUM OF | 1 | 0 | | | |
STAVES UP | | | | | |
+1000=DOTS TO LEFT | | | | | |
+2000=DOTS TO RIGHT | | | | | |
+3000=DOTS RT & LFT | | | | | |
----------------------|-------|-------|-------|-------|-------|-------
HEAVY BRACKET BOT. | TOP | 0 | 3 | 0 | 0 | THICKN.
HGT. | HGT. | | | | |
--OR-- | | | | | |
N=NUM. OF | 0 | 0 | 4 | 0 | | THICKN.
STAVES UP | | | | 1=BOT | | (0=4)
| | | | 2=TOP | |
----------------------|-------|-------|-------|-------|-------|-------
CURVY BRACKET N | 0 | 0 | 5 |WIDTH | |
----------------------|-------|-------|-------|-------|-------|-------
CRESC. HGT. | 50 | POS.2 | 0 OR | 0 | |
(SEE ALSO 'CLEFS' | | |SPREAD | | |
ITEM 103.) | | | =N | | |
----------------------|-------|-------|-------|-------|-------|-------
DECRESC. HGT. | 50 | POS.2 | -1 OR | 0 | |
| | |SPREAD | | |
| | | =-N | | |
----------------------|-------|-------|-------|-------|-------|-------
DASHES HGT1.| HGT2. | POS.2 | 1 |*DASH |*SPC SZ| THICKN.
(P11=1,-1 FOR BRKT END) | | | SIZE | (0=P8)|
----------------------|-------|-------|-------|-------|-------|-------
WIGGLE - HORIZ. HGT. | | POS.2 | -2 | WIGL. | WIGL. | THICKN.
(NO SLOPE) | | | | WIDTH | HGT. |
----------------------|-------|-------|-------|-------|-------|-------
WIGGLE - VERT. BOT. | TOP | 0 | -1 | WIGL. | WIGL. | THICKN.
(NO SLOPE) HGT. | HGT. | | | WIDTH | HGT. |
----------------------|-------|-------|-------|-------|-------|-------
BOXES HGT. | 50 | 0 | 0 | WIDTH | HGT. | THICKN.
(P11=CHNG OF RT. HGT.)| | | | |0=SQUAR|
----------------------|-------|-------|-------|-------|-------|-------
* Dash size and space between dashes are a function of the staff size.
5 SLURS: 5, STAFF, POS1, HGT1, P5=HGT2, P6=POS2, P7, P8, P9, P10
P7=DIP(NT UNITS + OR -)
P8 = 0=SLUR, 1=BRACKET, 2=LFT 1/2 BRKT, 3=RT 1/2 BRKT,
FOR AUTOMATIC ALIGNMENT OF SLUR WITH NOTES, SET P13=1, THEN
IF P8=-1, END POINTS WILL HOME TO NOTE CENTERS.
IF P8=-2, END POINTS WILL HOME BETWEEN NOTES.
USE P8=-3 TO HOME BETWEEN NOTES WHERE 1ST IS DOTTED.
P9=CURVE FACTOR. DEFAULT VALUE (0)=3 GIVES SLIGHTLY "FLATTENED"
SLURS. TO MAKE THEM MORE ROUND, DECREASE P9 TOWARD 2.
TO RESTRICT THE CURVE TO THE END PORTIONS, INCREASE P9.
IF P8=1 AND P9 IS NOT 0, A BRACKET WITH A NUMBER(P9) WILL BE DRAWN.
HALF SLURS: ADD 100 TO P7 FOR HALF SLUR WITH THE CURVE ON THE RIGHT.
ADD 200 TO P7 TO GET CURVE ON THE LEFT.
SLUR WITH CHANGE OF DIRECTION: ADD 300 TO P7 TO MAKE SLUR CHANGE
DIRECTION. IF P7 IS POS. THEN 1ST 'DIP' IS POS.; IF P7 IS
NEG. THEN 1ST 'DIP' IS NEG.
USE P10 TO SHIFT HIGH POINT OR 'CENTER' OF CURVE FROM MIDDLE.
P10=0 IS THE SAME AS P10=.5. VALUES GREATER THAN .5 MOVE THE CENTER
TO THE RIGHT, LESS THAN .5 MOVE IT TO THE LEFT.
(VALUES GREATER THAN .75 OR LESS THAN .25 DO NOT MAKE GOOD CURVES
AS YET.)
6 BEAMS: 6, STF, POS1, P4=HGT1, P5=HGT2, P6=POS2,
FOR "MINI" BEAMS ADD 100 TO P4 (-100 FOR NEG. NUMS.)
(P7) STEM DIR(10=↑ 20=↓),
-- 2ND DIG. IN P7=TOTAL NUM OF BEAMS.
IF P7 IS NEGATIVE THEN TREMOLO SLASHES ARE MADE.
IF TREMOLO, P8 SETS WIDTH. (0=2.2), P9=POS.
(P8) -10,-20=UNATTACHED (ONE SIDE) PARTIAL BEAMS
THE 2ND DIGIT=DISPLACEMENT NUMBER.
(OR P8=TREM. WIDTH IF P7 IS NEG.)
IF P9 IS NON-ZERO, P9 = POS. UNATTACHED PARTIAL BEAM.
IF P8 IS POSITIVE P8=POS3, P9=POS4. OF INNER BEAM.
-- P10 WILL BE DISPLACEMENT NUMBER.
(P9) POS3. (OR POS4 IF P8>0)
OR POSITION OF TREMOLO IF P7 IS NEG.
IF P8=0 AND P10=0 AND P9=N, N WILL BE A NUMBER OVER THE BEAM.
(P10) = NUM OF BEAMS DISPLACED WHEN BOTH P8 AND P9 >0.
(NO MORE THAN 9.)
***** COMPOSITE BEAMS *****
IF P10 ≥ 100 THEN P8 IS THE RIGHT POSITION OF A PARTIAL
BEAM WHICH BEGINS AT POS. P3 AND P9 IS THE LEFT POSITION
OF A PARTIAL BEAM WHICH ENDS AT POS. P6. THE 2ND DIGIT
OF P7 GIVES THE NUMBER OF FULL LENGTH BEAMS AND P10/100
GIVES THE NUMBER (VERTICAL) OF PARTIAL BEAMS.
IF P10>100 AND THE 3RD DIGIT IS 1 THERE WILL BE A PARTIAL
BEAM WHICH IS ATTACHED TO EITHER THE LEFT SIDE (P8=-1) WITH
THE RIGHT POS. IN P9 OR WHICH IS ATTACHED TO THE RIGHT SIDE
(P9=-1) WITH THE LEFT POS. GIVEN IN P8. AGAIN P10/100 GIVES
THE VERTICAL NUMBER OF PARTIAL BEAMS.
P11 CAN RESET HOMING RANGE (OR -1 = 0 HOMING RANGE.)
--------------------------------------------------------|-------|-------
P8 | P9 | P10
--------------------------------------------------------|-------|-------
UNATTACHED PARTIAL BEAM POINTING → -10 | 0 | 0
← -20 | 0 | 0
DISPLACEMENT IS IN 2ND DIGIT OF P8 | |
--------------------------------------------------------|-------|-------
INNER PARTIAL BEAM POINTING → -10 | POS.3 | 0
← -20 | POS.3 | 0
DISPLACEMENT IS IN 2ND DIGIT OF P8 | |
--------------------------------------------------------|-------|-------
INNER BEAM POS.3 | POS.4 | DISP.
DISPLACEMENT IS IN 2ND DIGIT OF P10 (P8=-1=POS OF P3)| -1=P6 |
--------------------------------------------------------|-------|-------
COMPOSITE BEAMS - ONE FULL, TWO PARTIAL RT.END| LF.END|100*NUM.
2ND DIGIT IN P7=NUM OF FULL BEAMS. OF LF.| OF RT.|OF BEAMS
PARTL.| PARTL.|IN EACH
| |PARTIAL.
| |
- ONE FULL, ONE PARTIAL -1 = | RIGHT |1+100*N
2ND DIGIT IN P7=NUM OF FULL BEAMS. LF. END| END OF|OF BEAMS
= P3 | PARTL.|IN EACH
| |PARTIAL.
| |
LEFT | -1 = |1+100*N
END OF|RT. END|OF BEAMS
PARTL.| = P6 |IN EACH
| |PARTIAL.
--------------------------------------------------------|-------|-------
TREMOLO *****P7=-10 OR -20 WIDTH |TRM,POS| DISP.
-PARALLEL TO OTHER BEAMS -TILT IN P3-6 (P8=0=4)| |
NUMBER OF BEAMS IS SECOND DIGIT OF P7 | |
| |
*****P7=-10 OR -20 WIDTH | 0 | DISP.
-WITHOUT OTHER BEAMS - STANDARD TILT (0=4) | |
NUMBER OF BEAMS IS SECOND DIGIT OF P7 | |
--------------------------------------------------------|-------|-------
NUMBER OVER OR UNDER BEAM 0 | NUM. | 0
--------------------------------------------------------|-------|-------
7 TRILLS,PEDALS,OTTAVA: 7, STF, POS1, VERT.POS, P5=SZ(0=1), P6=POS2,
P7 (1=NO WIGGLE) IF P7=1, NO WAVY LINE APPEARS.
FOR ACCIDENTAL OVER TRILL: P8 = 1 =FLAT, =2=SHARP, =3=NATURAL.
IF P7 IS GREATER THAN 1, PIANO PEDAL SYMBOLS WILL PRINT.
THEN: P5=PEDALS DEPRESSED (USE 3 DIGITS)
000=NONE 001=RIGHT PED. ONLY
010=CENTER PED. ONLY 100=LEFT PED. ONLY
101=OUTER PEDS. 011=CENTER AND LEFT
110=RIGHT AND CENTER 111=ALL (NOT USUAL)
P7=2 PLAIN SYMBOL; =3 ADDS TOP BRACK. EXTENDED TO P6 (POS2).
=4 ADD LINE TO TOP OF SYMBOL. EXTENDED TO P6 POS.
P8 SETS SIZE OF LINE EXTENSION TO LEFT OF SYMBOL (P7=3 OR 4)
P9 IS SIZE FACTOR FOR PEDAL MARKS.
**** OTTAVA ***** P7=8 FOR STANDARD OTTAVA, =-8 FOR OTTAVA BASSA,
P7=15 FOR 15MA. SET P8≠0 TO SUPPRESS BRACKET
ENDING OF DASHED LINE. P5 = SIZE FACTOR.
8 STAFF LINES: 8, VERTICAL POSITION NUM(STAFF NUM. 0 TO 7), (P3) POS1,
P4) VERT. SHIFT*, 5) SIZE FACTOR (0=1), P6) POS2.(0=200)
P7) IF SET TO NON-ZERO THE STAFF WILL BE INVISIBLE.
(USE THIS AS A MEANS TO SET SIZE AND POSITION OF ITEMS
NOT APPEARING ON A STAFF.)
P8) USED TO SET MOVE-UP DISTANCE(INCHES) TO NEXT FILE'S
STAFF 0. (USE P8 ONLY! WITH STAFF 0.)
HORIZONTAL LINE WILL DISPLAY AT POSITION OF NEXT STAFF 0.
P9=1 WILL ASK FOR ID NAME FOR THIS STAFF(TO BE USED IN 'PARTS')
*To create staves with other than 5 lines set p4 to x0vv, where
vv will equal the vertical shift and x = number of lines in the
staff. p4 = 3007 would make a 3-line staff shifted up 7.
9 ACCIDS, ACCENTS, ETC.: 9, STF, POS, NOTE NUM, P5, P6=SIZE (0=1)
FOR P5: b=1, #=2, NAT=3 (22,23,24=MUSICA FICTA POSITION)
WEDGE ACCENT ∧=4(-4=INV) ACCENT >=5,
FERMATA=6 or 26(-6=INV) STAC. OR DOT=7
REPEAT BAR SIGN=8 TENUTO OR DASH=9
DNBOW=11 UPBOW=12 HARM,=13, +=14,
THESIS=15 ARSIS=16 MORDANT=17 INV.MORD.=18
HEAVY WEDGE=25
***** 2 ITEMS MAY BE ENTERED AT ONCE WITH P5. e.g. 47 WILL CREATE
A WEDGE(4) WITH A DOT(7) BELOW IT; 79 MAKES A DOT(7) WITH A
DASH(9) BELOW IT. IF ANY OF THE 2-DIGIT CODES ARE USED, THEY
MUST! COME FIRST. e.g. 135 MAKES A HARMONIC(13) WITH AN
ACCENT(5) BELOW. ETC. (513 WILL NOT WORK!)
10 NUMBERS: 10, STF, POS, NT NUM, NUM(TO 3 DIGITS ONLY), SIZE FACT., P7
P7=2 GIVES THIN LINE NUMS., =0 = BDR40 TYPE FONT WHEN IT PLOTS.
=1 = BDI40 (ITALICS)
P7=3 CAN BE USED FOR PAGE NUMBERS. THE 'PAGE' PROGRAM WILL
THEN IGNORE THE NUMBER.
P8=1 CIRCLES NUMBER, =2 BOXES NUMBER. P10>1 THICKENS BOX ETC.
SET P13 TO 1 FOR AUTOMATIC HOMING.
(SEE HOMING INFO IN EDIT SECTION.)
11 LIBRARY ITEMS: 11, STAFF, POS, VERT. NOTE NUM, P5)ITEM NUM,
P6)HORZ. SZ., P7)VERT. SZ., P8, P9, P10
P5 MAY HAVE NUMBERS 0 THROUGH 99. NUMBERS 0-9 REFER TO
THE "BASIC" DRAW FILE. (SEE 'DRAW.MAN' FOR PREPARATION
OF 'DRAW' FILES.) THE "BASIC" FILE SHOULD HAVE A NAME
WITH 4 LETTERS AND THE NUMBER 0 ON THE END. IF THE "BASIC"
NAME IS 'CHAR0' THEN NUMBERS 10 THROUGH 19 WOULD REFER
TO 'CHAR1'; 20-29 TO 'CHAR2', 30-39 TO 'CHAR3', ETC.
P8 = -1 FOR FILL ON CRT, =-2 FOR NO FILL ANYWHERE.
IF P8 IS GREATER THAN 0 LINE DRAWINGS WILL BE 'THICKENED'.
P8=.1 THICKENS ONE VERTICAL STEP NO MATTER WHAT THE SIZE FACTOR.
P8= 1 UP TO 99 WILL THICKEN VERTICALLY PLUS 1 TO 99 LINES.
P8= 100 UP TO 9900 WILL THICKEN HORIZONTALLY.
P8=305, FOR EXAMPLE WILL THICKEN PLUS 3 LINES HORIZONTALLY AND
5 LINES VERTICALLY.
(NOTE: WHEN PRINTING LARGER SIZES THE THICKNESS WILL
INCREASES PROPORTIONATELY.)
P9 = CLOCKWISE ROTATION BY DEGREES.
IF P10 IS SET TO 1 A "BASIC" FILE NAME WILL BE REQUESTED.
THE NAME WILL BE STORED IN P10. ANY TIME P10 IS SET TO 1
THE NAME WILL BE RE-REQUESTED. ANY TIME P10 IS IGNORED THE
LAST NAME GIVEN WILL BE PUT INTO P10.
THUS SEVERAL ITEMS CAN USE DIFFERENT "BASIC" NAMES.
12 CIRCLES AND ARCS: 12, STF, POS, VERT. NT NUM,
P5=RADIUS(BY HORIZ. SCALE NUMS)
P6=DEGR.1, P7=DEGR.2; ZEROS GIVE COMPLETE CIRCLE.
P8=THICKNESS(0=1 LINE, 1=2 LINES, ETC.)
16 LETTERS, WORDS, ETC.:
16, STAFF, POS, VERT. NOTE NUM, P5)=SIZE FACTOR, P6,P7,P8,P9,P10
---- SEE SECTION II FOR DETAILS -----
17 KEY SIG.: 17,STF,POS,VERT, P5)NUM OF #S OR FLATS(+=#, -=b)
ADD 100 OR -100 TO P5 FOR NATURALS IN FORMATION
OF SHARPS OR FLATS.
P6=CLEF NUM (0=TREB, =1=BASS, =2=ALTO, =3=TENOR)
FOR MINI CLEFS ADD 100 TO P6.
18 METER: 18, STF, POS, VERT, P5)TOP NUM, P6)BOTT NUM, P7)SIZE FACTOR
IF P5=99 THE LETTER C WILL PRINT, P5=98 = "CUT TIME".
FOR SINGLE NUMBER METERS: P5=0 P6=NUM.
FOR COMPOSITE METERS (E.G. 3/4+3/16)
P8=2ND TOP NUMBER P9=2ND BOTTOM NUMBER
P10=SPREAD FACTOR (0=1)
P11=DISPLACEMENT FACTOR OF 2ND METER AFTER THE "+".
(IF P11=0 IT ALWAYS BECOME =P10)
--------- SECTION II --------------
TYPE 'T' n, n ..... to enter TEXT (letters, words, etc.)
T, STAFF, POS, P4=VERT. NOTE NUM, P5=SIZE FACTOR
(TF INSTEAD OF T WILL READ TEXT FROM AN EDIT FILE.)
----- THEN TYPE TEXT -----
_________ CHARACTERS AVAILABLE __________
0-9, A-Z, a-z, and = . - , ' * ( ) " ; : + ? ! /
SPECIAL CHARACTERS: [ =QUARTER NOTE, ] =HALF NOTE,
↔ =NATURAL, ↑ =SHARP, ↓ =FLAT.
UP TO 12 CHARACTERS WILL BE PACKED IN AN ITEM.
STRINGS OF MORE THAN 12 CHARACTERS WILL BECOME SEVERAL ITEMS FOR
EDITING PURPOSES.
TO PLACE ITEMS IN RELATION TO ALREADY PRESENT NOTES, SEPARATE
EACH ITEM BY SLASHES.
THE SLASHES WILL NOT BE DRAWN.(BUT A LINE ENDED WITH ; WILL PRINT ;.)
(TO PRINT A SLASH, TYPE 2 CONSECUTIVE SLASHES, //.)
IF MORE THAN ONE GROUP OR CHARACTERS APPEARS, NUMBERS WILL APPEAR OVER THE
NOTES OF THAT STAFF AND YOU WILL BE ASKED TO TYPE POSITION NUMBERS FOR
EACH ITEM. IF P4 (THE VERTICAL POSITION) IS SET TO 0 YOU SHOULD TYPE 2
NUMBERS FOR EACH ITEM. THE FIRST NUMBER OF A PAIR WILL BE HORIZONTAL
POS., THE SECOND WILL BE VERT. POS. THE HORIZONTAL NUMBERS WILL BE IN
TERMS OF THE NUMBERS OVER THE NOTES. THUS 1.5,-3 WOULD PUT ITEM 1 EXACTLY
HALF WAY BETWEEN NOTE 1 AND NOTE 2 AND AT THE VERTICAL POSITION OF NOTE
LEVEL -3. WITH 1.5,-3 THE ITEM WOULD BE AS BEFORE. WITH .7,13 ITEM WOULD
BE AT .7 OF THE DISTANCE FROM THE BEGINNING OF THE LINE AND THE FIRST NOTE
AND AT THE VERTICAL POSITION 13.
IF P4 IS ANY NON-ZERO NUMBER ALL ITEMS WILL BE PUT AT THE LEVEL INDICATED
IN P4. IN THIS CASE TYPE ONLY ONE NUMBER (FOR HORIZONTAL POSITION) PER
ITEM. THIS IS PROBABLY THE BEST WAY TO PUT IN THE TEXT OF VOCAL LINES.
CURRENTLY (5/74) THREE TYPE FONTS ARE AVAILABLE. THE DEFAULT FONT IS
CALLED 'PRIMITIVE'. ALSO THERE IS 'BDR40' AND 'BDI40'(ITALICS). ALL
THESE INCLUDE UPPER AND LOWER CASE. ****** NOTE THAT IF THE TYPE FONTS
ARE TO BE MIXED THE FIRST ENTRY MUST INCLUDE A FONT CONTROL CHARACTER EVEN
IF IT IS THE DEFAULT FONT.
FONT CONTROL CHARACTERS:
# = PRIMITIVE (52)
& = BDR40 (NON-ITALICS) (50)
@ = BDI40 (ITALICS) (51)
< = OUTLINE ONLY (53)
> = FILLED (54) (WILL NEVER FILL ON CRT HOWEVER.)
WHEN INITIALLY USING THE FONTS THE FONT CHARACTER MUST APPEAR.
IT IS A GOOD IDEA TO PUT IN A FONT CHARACTER FOR EACH NEW
STRING OF TEXT.
EXAMPLES: TO GET THE FOLLOWING IN NON-ITALICS -
Clarinet
TYPE - &Clarinet/ (OR: $&C%LARINET/ WHEN USING ORDINARY TTY.)
FOR THE NEXT WITH THE 2ND WORD ITALICS, THE 3RD PRIMITIVE-
TYPE - &Oboe/@cresc./#v.s./
&<Oboe/ WOULD PRINT "Oboe" in non-filled letters.
MOST OF THESE COMMANDS ARE SEMI-STICKY. TO BE SAFE THEY SHOULD BE
RESET EACH TIME USED.
WHEN LETTERS ARE EDITED THEY APPEAR UNDER CODE #16.
AT EDIT TIME P13=1 WILL CAUSE HOMING TO A NEARBY NOTE. NOW A
NEGATIVE SIZE FACTOR (IN P5) WILL INVERT THE TEXT. IF THE STAFF SIZE
IS LATER CHANGED THE SPACING CONTINUITY OF STRINGS LONGER THAN 12
LETTERS WILL BE DISTURBED. TO CORRECT THIS SET P10=1 FOR THE
MISPLACED UNIT OF TEXT. IT WILL THEN AUTOMATICALLY RESUME THE
CORRECT POSITION AND RESET P10 TO 0.
IN GENERAL, P6-P8 SHOULD NOT BE EDITED. EACH OF THE
PARAMETERS CONTAINS THE NUMBERS FOR 4 CHARACTERS. A TOTAL OF 8
DIGITS IS USED IN EACH PARAMETER; 2 DIGITS PER CHARACTER.
THE STRING 'ABCDEFGHIJKLM' WOULD BECOME:
P6 -- 10111213
P7 -- 14151617
P8 -- 18192021
TO SEE THE CONTENTS OF ONE OF THESE PARAMETERS, 6, FOR EXAMPLE,
TYPE 'P 6'. IF YOU THEN TYPED '6 13111213' THE STRING WOULD CHANGE TO
'DBCDEFGHIJKLM'. THIS METHOD OF EDITING IS NOT RECOMMENDED.
NUMBERS ARE 0-1, UPPER CASE LETTERS 10-35, LOWER CASE BEGIN
AT 70. SPACE=47, NO MORE CHARS=99, QTR NOTE=58, HLF NOTE=59.
(A NEW FORMAT FOR P6-8 WAS ACTIVATED 11/75. TYPE 10,99<CR> WHILE
EDITING TEXT TO AUTOMATICALLY CHANGE THE FORMAT.)
******** TO CENTER TEXT AT ANY POINT ********
A SINGLE INPUT STRING OF TEXT MAY BE CENTERED AT ANY HORIZONTAL POINT
BY SETTING P10 TO THE CENTER POINT DESIRED. WHEN THIS IS DONE THE
TEXT WILL EXTEND AN EQUAL DISTANCE TO THE LEFT AND RIGHT OF THE POINT
GIVEN IN P10.
** ROTATION OF INDIVIDUAL LETTERS --- SET P11 TO DEGREES (CLOCKWISE).**
ααααααααα SPECIAL INFO RE. TEXT AND THE 'PARTS' PROGRAM αααααααααα
WHEN USING THE 'PARTS' PROGRAM TEXT WHICH IS NOT PART OF THE
PARTICULAR LINE OF MUSIC BEING EXTRACTED IS USUALLY IGNORED. TO MAKE
ANY TEXT ITEMS APPEAR IN ALL PARTS EXTRACTED, ADD 100 TO THE SIZE
FACTOR FOUND IN P5. (SEE SECTION ON 'PARTS' PROGRAM.)
-------- SECTION III -----------
*********** LETTER COMMANDS ***************
'G name' = GET OLD DATA TO WORK ON.
NAMES MAY HAVE NO MORE THAN 5 LETTERS. ALL NAMES
MAY HAVE 3 LETTER EXTENSIONS. (DEFAULT IS .DMD)
IT IS GENERALLY ADVISABLE TO USE THE 4TH AND 5TH
LETTERS OF A NAME FOR PAGE NUMBER AND FILE NUM ON
PAGE RESPECTIVELY. (E.G. ZAPAA WOULD BE PAGE 'A',
FILE 'A', ZAPDC WOULD BE PAGE 'D', FILE 'C'.)
'GM name' = GET MORE (ANOTHER FILE) TO ADD TO CURRENT DISPLAY
'RS' = RESTART. CLEARS BUFFERS AND SCREEN - NO RECOVERY POSSIBLE!
'RS name' RESTARTS AND 'GETS' FILE 'name'.
'SA name' - TYPE 'SAVE' OR 'SA' ('SD' SAVES DISPLAY ONLY FOR DPY.F4)
IF 'SAME' IS GIVEN AS A FILE NAME THE NAME WILL BE
SAME AS PREVIOUSLY.
'SM' = 'SA name' SAVES WITH THE SAME NAME AS PREVIOUSLY.
'SB name' =SAVE BIG. SAVES ALL IMPORTANT BUFFERS. FOR QUICKER READIN.
*******TYPE '99' TO BACK UP FROM FILE NAME REQUEST.*******
ONE SHOULD 'SAVE' OFTEN, BUT CAREFULLY TO AVOID LOSS OF ANY
INPUT. GENERALLY THE NAMES USED SHOULD HAVE 5 LETTERS
AND END IN A LOGICAL ALPHABETICAL ORDER. E.G. TRI1A,
TRI1B, TRI1C, ETC. FOR LINES WHICH ARE TO APPEAR IN THAT
ORDER ON THE SAME PAGE.
'SC' = SPACING SCALE: SC, STAFF NUM (SC99 ERASES IT)
(THE SCALE NEED NOT BE ERASED BEFORE SHIFTING IT.)
TO A NEW STAFF.)
'SH' ="SHOW" - WHEN THIS IS TYPED, FROM THIS POINT ON ALL NUMBERS AND
LETTERS USING THE TYPE FONTS BDR AND BDI WILL APPEAR WITH THEIR
REAL OUTLINES.
THIS SHOULD BE USED ONLY FOR CHECKING ON CLOSE SPACING AS
THE PROGRAM IS SLOWED CONSIDERABLY DUE TO THE GREAT NUMBER
OF VECTORS TO BE DRAWN.
'SHP' ="SHOW PRIM" - WILL CAUSE ALL LETTERS TO BE IN 'PRIM' FONT
(UPPER AND LOWER CASE) ON CRT.
'SHX' ='EXIT FROM SHOW" - WILL RETURN TO THE ORIGINAL DISPLAY MODE.
SEE 7 AND 16 IN REGARD TO FONTS.
'SP n' ="SPACING STAFF=n" ESTABLISHES STAFF n AS THE BASIS FOR
AUTOMATIC SPACING OF ITEMS ENTERED BY MEANS OF 'IN' OR 'READ'.
SEE PG.10.
'IN n,n,n,n.... "SCORE" INPUT: -- SEE page 9.
'READ name ' "SCORE" INPUT FROM EDIT FILE -- SEE page 9.
'FILE name' READ A FILE WITH VARIOUS COMMANDS TO THE PROGRAM.
(SEE FIRST PAGE.)
'P n' = SEE EXACT CURRENT CONTENTS OF PARAMETER n WHILE IN EDIT MODE.
**** when NOT in edit mode ****
'P n1,n2,n3 PRINTS RN ARRAY FROM ITEM n1 TO ITEM n2. n3=1 FOR LPT.
(USING LPT IS FATAL! FOR CURRENT DPY AND MUST BE FOLLOWED BY
<CALL>, F<CR> IN ORDER TO RELEASE THE LPT.)
'P' <CR> WILL TYPE DATA FOR ALL ITEMS.
'Z f x y' 'Z' = ZOOM LENS. f=SIZE FACTOR, NEW CENTER IS x,y
(USE 0 TO 100 % FROM LOWER LEFT CORNER OF DISPLAY.)
IF THE STAVES 0 THROUGH 2 ARE USED ONLY 2 NUMBERS NEED BE TYPED. Z n
WHERE n IS A NUMBER OF THE FOLLOWING FORM WILL INCREASE THE SIZE BY
THE LEFT DIGIT OF n. Z 200 WILL MAGNIFY BY 2 AND PUT THE FAR LEFT
SIDE TO THE CENTER OF THE SCREEN. 250 WILL KEEP THE CENTER AS IS
(I.E. THE CENTER WILL BE AT ITS NORMAL POSITION, 50% OF THE WAY FROM
LEFT TO RIGHT.) 290 WILL PUT THE FAR RIGHT SIDE TO THE CENTER. (90%
OF THE WAY TO THE RIGHT WILL BE MOVED TO THE CENTER.)
300 WILL MAGNIFY BY 3, ETC.
'AD n' =ADJUST STEMS TO MEET BEAMS ON STAFF n: (n≥8=ALL STAVES)
(ALSO REMOVES TAILS WHERE NEEDED)
'TL n1 n2' = SET TYPE OUT LOCATION TO TOP LIMIT n1 AND BOTTOM LIMIT n2.
WHEN THE PROGRAM IS STARTED THE VALUES OF n1 AND n2 ARE 450 AND
ZERO. POSITION ZERO IS THE VERTICAL CENTER OF THE SCREEN. IF
NO 2ND NUMBER IS TYPED AFTER 'TL' THE 2ND NUMBER WILL BECOME
n1-200. THE DIFFERENCE BETWEEN n1 AND n2 CAN NEVER BE <600.
-------- SECTION IV -----------
****** VARIOUS WAYS TO GET INTO EDIT MODE ********
TO MOVE LAST ITEM ENTERED LFT-RT OR UP-DOWN:
'L', 'R', 'U' OR 'D' + NUM OF STEPS TO LFT-RT
(NOTHING ELSE REQUIRED)
THIS WORKS ONLY IMMEDIATELY AFTER THE ITEM HAS BEEN ENTERED.
ONCE IN EDIT MODE, THE SETTING OF P13 TO 1 WILL USUALLY CAUSE THE
CURRENT ITEM TO CENTER ON A NEARBY NOTE'S HORIZONTAL POSITION.
*****'ED(IT)', POS,STAFF,(CODE NUM) --TO USE LIGHT PEN: TYPE 'ED'<CR>
A VERTICAL LINE WILL APPEAR AT THE POSITION GIVEN AND ALL ITEMS
WITHIN 5 SPACES OF THE LINE ON THAT STAFF WILL COME UP FOR EDITING.
TO PASS OVER AN ITEM TYPE <CR>. SEE BELOW FOR METHOD OF CHANGING THE
VARIOUS PARAMETERS.
IF THE STAFF NUMBER IS GREATER THAN 4, ITEMS ON ALL STAVES MAY BE
EDITED.
IF A CODE NUMBER IS GIVEN, THE ITEM NEAREST THE LINE WITH THAT NUMBER
WILL COME UP. FOLLOWING, ALL OTHER ITEMS OF THAT NUMBER ON THAT LINE
WILL COME UP.
WITH THE LIGHT PEN, MOVE CURSOR TO THE ITEM TO BE
EDITED. TYPE <CR> AND ITEMS ON ALL STAVES NEAR THAT POINT
WILL COME UP FOR EDITING IN ORDER. (USES SAME MODE
AS ABOVE.)
*****S(ET) AND A(LIGN) ---------
IF YOU TYPE 'S' WHILE IN THE ABOVE FORM OF EDIT MODE ('ED') THE
VERTICAL LINE WILL JUMP TO THE POSITION OF THE CURRENT ITEM UNDER
CONSIDERATION. TYPE <CR> TO PROCEED TO OTHER ITEMS. AT THIS POINT
TYPING 'A' WILL AUTOMATICALLY ALIGN THE CURRENT ITEM TO THE POSITION
OF THE ITEM AT 'SET'. TYPE 'X' TO EXIT FROM ANY EDIT MODE.
*****'LP'=LIGHT PEN --THIS MAY BE USED IN ANY FORM OF EDIT MODE. MOVE
THE CURSOR TO THE LOCATION DESIRED FOR THE ITEM.
<CR> WILL MOVE THE ITEM. NOTE THAT HORIZONTAL
MOVEMENT IS FREE BUT VERTICAL MOVEMENT IS BY STAFF
NUMBERS. ALL DETAILS OF VERTICAL MOVEMENT MUST BE
TYPED IN.
***** 'I' n = EDIT ITEM NUMBER n
THIS MAY BE TYPED AT ANY TIME WHILE IN EDIT MODE.
THE ITEM INDICATED WILL NEXT COME UP.
*****'N' n (N=NOPRINT) IS SAME AS 'I' BUT PARAMS AND PROMPTS WILL NOT
APPEAR. TYPE 'T' TO RETURN TO NORMAL TYPE-OUT.
***** 'ST' STAFF NUM, CODE NUM--EDITS ONLY ITEMS OF THAT CODE NUM ON
THAT STAFF. IF CODE=0, THEN ALL ITEMS WILL COME UP.
*********** HOW TO CHANGE PARAMETERS ****************
IN EDIT MODE: 'L','R','U', OR 'D' FOLLOWED BY N, MOVES N SPACES TO
LEFT, RIGHT, UP OR DOWN. 2 DIRS. MAY BE GIVEN AT ONCE.
AFTER AN 'L' OR 'R' MOVE HAS BEEN MADE, THE LETTER ALONE (NO NUMBER)
WILL SUFFICE TO MOVE THE SAME VALUE AGAIN. THE SAME APPLIES TO
THE 'U-D' PAIR.
****-- OR --****
PN1,N1 PN2,N2 PN3,N3 ETC. (TYPE PAIRS OF NUMS TO CHNG PARAMS)
THE FIRST OF EACH PAIR MUST BE THE PARAMETER NUMBER
AND THE SECOND WILL BE THE NEW VALUE FOR THAT PARAM.
IF 2 ZEROS ARE ADDED AFTER A PARAMETER NUMBER (i.e.
600 INSTEAD OF 6) THE SECOND NUMBER OF THE PAIR
WILL BE ADDED TO THE CURRENT VALUE OF THAT PARAMETER
INSTEAD OF MERELY REPLACING. THIS IS USEFUL FOR
EXTENDING P6 OF SLURS OR BEAMS, ETC.
IF 3 ZEROS ARE ADDED TO A PARAMETER NUMBER, THAT
PARAMETER WILL BE MADE EQUAL TO THE PARAMETER OF
FOLLOWING NUMBER. THUS '5000 4' MAKES P5=P4.
<CR> ENDS EDIT AND MOVES TO NEXT ITEM FOR EDIT
'X' ENDS EDIT, EXITS TO INPUT MODE
'C'SAVES OLD AND NEW FORMS, I.E. "COPIES" ITEM.
'C' N SAVES & MOVES TO ITEM N.
'DEL' DELETES ITEM AND MOVES ON TO NEXT
HOMING **** SET P13=1 TO HOME IN ON ANY NEARBY NOTE ON SAME STAFF.
P13=-1 SETS VERTICAL POSITION 2 ABOVE OR BELOW A NOTE HEAD.
P13=-2 SETS VERTICAL POSITION 2 BEYOND STEM LENGTH.
(P13 RESETS SELF TO 0)
'CN'****INSTEAD OF USING P13, THE CODES 'CN', 'CH', 'CT' AND 'CB' MAY BE
TYPED. 'CN' IS THE SAME AS 'P13 1'.
'CH' IS THE SAME AS 'P13 -1'.
'CT' IS THE SAME AS 'P13 -2'.
'CB' IS THE SAME AS 'P13 1' BUT THE 'HOMING' RANGE WILL
BE MUCH BIGGER.
- - - - - - - GROUP EDIT COMMANDS - - - - - - -
*****'MOVE' OR 'M' <CR>: TO MOVE GROUPS OF ITEMS
YOU WILL BE ASKED TO TYPE:
STAFF NUM, POS1, POS2, (CODE NUM)
TO SHRINK OR EXPAND ALL STAVES GIVE STAFF NUM = 11.
IF NO CODE NUM(4TH NUM) IS GIVEN ALL ITEMS IN THE AREA WILL BE MOVED.
IF 'L' IS GIVEN AS STAFF NUM, THE AREA TO BE MOVED MUST
BE INDICATED WITH THE LIGHT PEN.
(NOTE THAT SOME BEAMS CONNECTING "DISPLACED" NOTES [10=1 OR 2] MAY
NEED TO BE "RE-HOMED" AFTER USING 'M' OR 'C' OR 'J'.)
----- 'ASK' FEATURE ****** NOT WORKING NOW 4/75 *****------
IF 100 IS ADDED TO THE CODE NUM, YOU WILL BE ASKED IF YOU
WANT TO MOVE EACH ITEM INDIVIDUALLY. 'X' WILL EXIT FROM 'MOVE'.
TYPE '99' AT ANY TIME TO BACKUP WHEN IN 'MOVE', 'COPY', ETC.
THE SECOND PROMPT IS:
TYPE NEW STAFF #, POS1, POS2, UP-DOWN #
IF POS2=0, POS1 WILL BE TAKEN AS THE ABSOLUTE 'MOVE' VALUE.
*****'COPY' OR 'C' <CR>: TO COPY GROUPS OF ITEMS.
WORKS SAME AS 'MOVE' BUT ORIGINAL IS LEFT BEHIND.
*****'DELETE' OR 'DE' <CR>: TO DELETE GROUPS OF ITEMS.
SAME STRUCTURE AS 'MOVE'.
******* N,-99 WILL DELETE ALL LINES EXCEPT! LINE 'N'.
******** USE WITH GREAT CARE!! *********
*****'ALTER' OR 'A' <CR>: TO ALTER GROUPS OF ITEMS.
FIRST PART IS SAME AS 'MOVE'. AFTER THE AREA HAS BEEN
DESIGNATED YOU WILL BE ASKED TO SPECIFY PARAMETER CHANGES
WITH PAIRS OF NUMBERS -- Pn, Change, Pn, Change, etc.
IF THE FIRST NUMBER GIVEN IS 12 AND YOU HAVE ALREADY
SPECIFIED CODE NUM 1, ALL NOTE STEMS, BEAMS AND SLURS
IN THE GIVEN AREA WILL BE INVERTED.
WITH CODE 5 (SLURS), 12 WILL REVERSE THE CURVE AND PUT
IT ON THE "WRONG" SIDE OF THE NOTE.
IF THE FIRST NUMBER GIVEN IS 100 THEN ALL NOTES, RESTS AND
BEAMS WITHIN THE GIVEN AREA WILL BECOME "MINIS".
USE THIS FOR MAKING CUES, ETC.
*****'J' WILL AUTOMATICALLY JUSTIFY LINES, ALLOWING PROPER SPACES FOR
FOR MOST ACCIDENTALS, CLEFS, ETC. A STAFF NUM >7 WILL JUSTIFY
ALL STAVES AS A UNIT. IF POS2 = 0, IT WILL BE TAKEN AS 200.
*****'DP' n1, n2, . . . . .: = DISAPPEAR, STF n ....
THIS MAKES STAFF n, ETC. DISAPPEAR FROM THE DISPLAY. THIS
DOESN'T DELETE ANY DATA - IT JUST MAKES IT TEMPORARILY
INVISIBLE. THERE ARE 2 REASONS FOR DOING THIS. WHEN SEVERAL
STAVES ARE BEING USED THERE IS SOMETIMES CONSIDERABLE FLICKER ON
THE DISPLAY. 'DP' ALLOWS ONLY SELECTED STAVES TO APPEAR, THUS
STOPPING THE FLICKER. ALSO WHEN THE SYSTEM IS HEAVILY LOADED
MANY FEATURES OF THIS PROGRAM WILL RUN MUCH FASTER IF 'DP' IS
USED. TO MAKE ANY STAFF REAPPEAR JUST TYPE 'DP' n 99 AND THE
STAFF WILL COME BACK.
END WITH A 99 TO MAKE THE EFFECT IMMEDIATE.
'DP 11' MAKES ALL INVISIBLE STAVES REAPPEAR IMMEDIATELY.
'SCORE' ITEMS: NOTES-- TYPE: 'IN', STAFF#, MODE, VERT.HGT, SIZE
'READ name' (INSTEAD OF 'IN')WILL READ EDIT FILE.
SEE BELOW FOR FILE FORMAT.
AFTER THE 'IN' HAS BEEN TYPED THE PROGRAM WILL ASK FOR
'POS1, POS2, (SPC)'.
AFTER THE NOTES ARE FIRST TYPED THEY WILL BE EVENLY SPACED BETWEEN
THE 2 POSITIONS ENTERED. (<CR>=0,200) AFTER THE RHYTHM IS ENTERED
THE NOTES WILL BE SPACED EXACTLY ACCORDING TO THEIR RHYTHMIC
VALUES IF NO 3RD NUMBER WAS TYPED. IF A 3RD NUMBER IS ENTERED, THE
RHYTHMIC VALUES WILL BE SPACED ACCORDING TO A PSEUDO-FIBONACCI
SCALE. I.E. HALF NOTES WILL TAKE SOMEWHAT LESS THAN TWICE AS MUCH
SPACE AS QUARTERS, ETC. --- USE THIS MOSTLY FOR SINGLE-LINE PARTS!!
****** THERE ARE 2 INPUT MODES POSSIBLE. THE 1ST DEALS SEPARATELY
WITH PITCH, RHYTHM, MARKS, BEAMS AND SLURS. THE 2ND COMBINES
THEM IN ONE INPUT LIST. ALL THE EXAMPLES BELOW (UNTIL MODE 2
IS MENTIONED) WILL REFER TO MODE 1.
**** HOW TO USE "SCORE" ITEMS ****
NOTES ARE TYPED IN ALMOST EXACTLY AS IN THE "SCORE" PROGRAM.
I.E. F=b, S=#, N=NATURAL, FF=bb, SS=##.
(ALSO FOR FLAT, SHARP AND NATURAL MULTIPLE NOTE LETTERS MAY BE
USED. BB, DD = Bb, Db; FFF, GGG = F#, G#; AAAA = A NATURAL.
ALSO THE LETTER "V" MAY BE USED FOR THE NATURAL SIGN. THIS
ALTERNATIVE WAS CHOSEN MERELY BECAUSE OF ITS CONVENIENT LOCATION
ON THE TYPWRITER KEYBOARD. THUS ALL THE LETTERS AND NUMBERS USED
CAN EASILY BE STRUCK BY THE LEFT HAND, WHILE THE SLASH OR <CR> IS
DONE BY THE RIGHT.)
OCTAVE NUMBERS MUST BE USED FOR THE FIRST NOTE WITHIN ANY OCTAVE
RANGE. C1 IS THE LOWEST C ON THE PIANO KEYBOARD. C4 IS MIDDLE C.
ALL OCTAVE RANGES RUN FROM C UP THROUGH B. WHENEVER A NOTE MOVES
INTO ANOTHER OCTAVE RANGE THE OCTAVE NUMBER MUST APPEAR.
'P' (FOR PROXIMITY MODE) MAY BE USED. 'O' RETURNS TO ORDINARY MODE.
WHEN IN PROXIMITY MODE EACH SUCCEEDING NOTE WILL GO TO THE
CLOSEST OCTAVE RANGE UNLESS A SPECIFIC OCTAVE NUMBER IS GIVEN.
THUS FOR ANY INTERVAL GREATER THAN A 4TH AN OCTAVE NUMBER MUST
BE GIVEN. /PC5/B/C/B/C/ WILL GIVE /OC5/B4/C5/B4/C5/.
R=REST RI=INVISIBLE REST
RU=REST UP(ABOVE STAFF) RD=REST DOWN(BELOW STAFF)
RW=WHOLE REST Rn=WHOLE REST WITH THE NUMBER n ABOVE IT (UP TO 999).
RR=A REPEAT BAR SIGN (./.) IN THE PLACE OF A CENTERED WHOLE REST.
ALL OF THESE MUST BE GIVEN TIME VALUES UNDER 'RHYTHM' BUT THE LAST
THREE MAY BE GIVEN ANY RHYTHMIC VALUE DESIRED.
TREBLE CLEF IS ASSUMED. TO ENTER A CLEF, TYPE CLEF NAME
FOLLOWED BY A SLASH. (TR/ BA/ AL/ TEN/) PRECEDED THE CLEF
NAME BY A MINUS SIGN (-BA/) TO HAVE THE AFFECT OF A CLEF WITHOUT
THE CLEF ACTUALLY APPEARING. (IF NO CLEF IS GIVEN IT WILL ALWAYS
BE TREBLE CLEF POSITION.)
USE 'M' (FOR MEASURE) TO ENTER A BAR LINE. 'M2' WILL MAKE A BAR GO
UP 2 STAVES; 'M3' WILL GO UP 3 STAVES, ETC. ALTERNATIVELY, MM WILL DO
THE SAME AS M2. MMM=M3, ETC.
'MD', 'MD2', ETC. WILL MAKE A DOUBLE BAR WITH THE HEAVY ONE TO THE
RIGHT. (THESE MUST BE EDITED LATER TO MAKE THIN DOUBLE BARS, REPEAT
BARS, ETC.) (ALSO, MMD=MD2, ETC.)
METER (TIME SIGNATURE) MAY BE ENTERED WITH /Tn,m/ WHERE n,m ARE THE
TOP AND BOTTOM METER NUMBERS. IF n=99 AND m=1 THE LETTER C WILL
PRINT. (THE 1 MUST BE THERE. i.e./T99 1/) /T98 1/ GIVES 'ALLA BREVE'.
IF n=0 THE METER WILL PRINT AS A SINGLE NUMBER (m) IN THE MIDDLE OF
THE STAFF.
FOR KEY SIGS TYPE /Kna/ WHERE n=NUMBER OF ACCIDENTALS AND
a='S' OR 'F' FOR FLATS.
/KnaN/ MAKES A KEY SIGNATURE OF NATURALS
(a MAY BE + OR -.)
OR -- /Kn/ IF n IS POSITIVE, n=NUMBER OF SHARPS.
IF n IS NEGATIVE, n=NUMBER OF FLATS.
*************************************************
NO MORE THAN 72 CHARACTERS MAY APPEAR ON ONE LINE OF INPUT.
(BUT MORE THAN ONE LINE MAY BE USED.)
THE LINE MUST END WITH A SLASH OR, WHEN NO MORE NOTES ARE
TO APPEAR, WITH A SEMI-COLON. (DO NOT!! END LINE WITH A COLON.)
*************************************************
XXXXXXXX REPEAT FEATURES XXXXXXXXX
A SINGLE SLASH, WITH NOTHING BETWEEN IT AND THE PREVIOUS SLASH,
WILL REPEAT THE LAST GIVEN ITEM. SEVERAL SLASHES IN A ROW MAY
BE TYPED.
/C4/// PRODUCES 3 MIDDLES C'S.
ANY ACCIDENTALS HOWEVER WILL NOT BE REPEATED!
/DS//// PRODUCES 1 D SHARP AND 3 D'S.
THE 'X' (X=TIMES) MAY BE USED FOR REPEATS OF SINGLE ITEMS.
/G3X12/ PRODUCES 12 G'S.
AGAIN, ACCIDENTALS WILL NOT REPEAT.
FOR THE IMMEDIATE REPEAT OF A STRING OF ITEMS USE 'REP M,N',
WHERE 'M' IS THE NUMBER OF ITEMS TO BE REPEATED AND 'N' IS
THE TOTAL! NUMBER OF TIMES THE STRING IS TO BE REPEATED.
/GF4/DF/C5/BN4/ REP 4 5/ WILL GIVE THE 4 NOTE STRING
A TOTAL! OF 5 TIMES. THE
ACCIDENTALS WILL NOT REPEAT.
TO GET A LITERAL REPEAT OF A STRING, INCLUDING ALL ACCIDENTALS,
ADD 100 TO THE FIRST NUMBER.
/GF4/DF/C5/BN4/ REP 104 5/ WILL GIVE THE STRING 'AS IS'
A TOTAL OF 5 TIMES.
'REP' CAN BE USED WITH NOTES OR RHYTHMS ONLY. (NOT MARKS, ETC.)
THE MOTIVIC FEATURES OF "SCORE" MAY BE USED WITH INPUT
MODE 1 (BUT WITH NO "NESTING"). MOTIVES ARE SAVED
WITH DISPLAY DATA AND CAN BE REUSED WHEN WORKING LATER.
(NO MORE THAN 200 ITEMS CAN BE SAVED IN ANY LIST OF MOTIVES.)
THE TRANSPOSITION FEATURES ASSOCIATED WITH THE 'MOTIVIC'
PROCEDURES ARE A LITTLE DIFFERENT IN MSS AS COMPARED TO
'SCORE'. IN THE FOLLOWING EXAMPLE A SCALE AND CHORD ARE
ARE SET UP AS SEPARATE MOTIVES AND IN COMBINATION TO FORM
A 3RD MOTIVE.
A(C4/D/EF/F)/B(D:F:AF)/Q(@A/@B)/
THIS WOULD CAUSE THE SCALE AND THE CHORD TO PRINT TWICE.
THEN - -
@A4/@Q3/ WILL GIVE THE SAME AS - -
G4/A/BF/C5/ F4/G/AF/BF/ G:B:DF5/
|__________| |_________| |______|
'A' ↑ 4 STEPS 'A' ↑ 3 'B' ↑ 3
|__________________|
'Q' ↑ 3 STEPS
RETROGRADES AND INVERSIONS MAY BE USED, BUT DON'T FORGET
THAT THE SAME ACCIDENTALS WILL ALWAYS APPEAR ON EACH NOTE
NO MATTER WHAT THE NUMBER OF STEPS OF CHANGE.
CHORDS ARE CONSTRUCTED BY USING THE COLON IN PLACE OF THE SLASH
BETWEEN NOTES.
THE COLON CAUSES THE NOTE TO OCCUPY THE SAME RHYTHMIC POSITION
AS THE FIRST NOTE TO APPEAR AFTER A COLON. THE STEM DIRECTION IN
CHORDS WILL BE DETERMINED BY THE ORDER OF APPEARANCE OF THE NOTES.
IF THE FIRST NOTE IS THE LOWEST, THE STEM GOES UP; IF THE FIRST IS
THE HIGHEST, THE STEM GOES DOWN. POSITIONING OF NOTES ON PROPER
SIDE OF STEM AND (IN MOST CASES) SPACING OF ACCIDENTALS AND DOTS
IS AUTOMATIC.
NOTE THAT SINCE ALL THE NOTES OF A CHORD USE ONLY ONE RHYTHM
ALL REPEAT FEATURES CONSIDER ALL NOTES OF A CHORD AS ONE
ENTITY. / C4 / D:F:A / REP 2 3/ WILL DRAW THE SEQUENCE
C, D MINOR CHORD THREE TIMES. / D:F:A X3/ DRAWS 3 CHORDS.
/ D:F:A //// MAKES 4 CHORDS.
----- SPECIAL '+' '-' FEATURE - TO MAKE OCTAVES AND OTHER INTERVALS ----
TO MAKE OCTAVES, FOLLOW ANY NOTE NAME BY A '+' OR '-'. THE '+'
WILL CAUSE THE GIVEN NOTE TO APPEAR WITH ITS UPPER OCTAVE;
THE '-' CREATES THE LOWER OCTAVE. NOTE IN THIS CASE ONLY!,
THAT THE OCTAVE NUMBER OF THE GIVEN NOTE IS THE ONE THAT
IS 'STICKY'. FOR EXAMPLE /C4+/D+/E+/ WILL PRODUCE OCTAVES
WITH STEMS UP AS IF YOU TYPED /C4:C5/D4:D5/E4:E5/. CHORDS THAT
INCLUDE AN OCTAVE MAY BE TYPED AS FOLLOWS: /EF5-:CN:AN4/. THIS
IS THE SAME AS IF YOU TYPED /EF5:CN:AN4:EF/.
IF A NUMBER (n) FROM 1 TO 9 IS TYPED IMMEDIATELY FOLLOWING THE '+' OR '-'
THEN A NOTE n STEPS AWAY FROM THE GIVEN NOTE WILL APPEAR. THUS THE
INTERVALS /C4:A/E:C5/B3:G4/ COULD BE TYPED /C4+6/E+6/B3+6/. HOWEVER
IT SHOULD BE NOTED THAT WHATEVER ACCIDENTAL THAT APPEARS ON THE GIVEN
NOTE WILL ALSO APPEAR ON THE OTHER NOTE.
GRACE NOTES MAY BE USED -- SEE UNDER RHYTHM BELOW.
TO BYPASS AUTOMATIC STEM DIRECTIONS TYPE SU/ (STEM UP) OR SD/
(STEM DOWN). ONCE EITHER OF THESE APPEARS ALL THE STEMS WILL GO IN
THE INDICATED DIRECTION UNTIL A CHANGE IS GIVEN.
BECAUSE OF POSSIBLE PROBLEMS WITH THE AUTOMATIC BEAM ROUTINE
IT IS BEST THAT AN 'SU' OR 'SD' APPEAR AT THE BEGINNING OF A
LINE IF THIS FEATURE IS TO BE USED AT ALL.
ALL NON-RHYTHMIC ITEMS (CLEFS, SU, SD, M, ETC.) WILL BE IGNORED IN REGARD
TO THE 1ST NUMBER AFTER 'REP'. / C4 / M / D:F:A / REP 2,3 / WILL CONSIDER
THE 2 ITEMS TO BE 'C' AND THE D MINOR CHORD, BUT THE BAR LINE WILL BE
INCLUDED IN THE REPEAT. THUS THE PROGRAM WILL DRAW 'C', 'BAR', 'D MINOR'
- THREE TIMES. M/C4/SD/E/F/M/SU/REP 3/ WILL DISPLAY A BAR LINE, C, E AND
F WITH STEMS DOWN, A BARLINE, C WITH STEM UP AND E AND F WITH STEMS DOWN
AND FINALLY ANOTHER BARLINE. THE 'REP 3' SAYS THAT 3 NOTES AND THE THINGS
THAT GO WITH THEM (C4/SD/E/F/M/SU/) WILL BE REPEATED.
(INPUT MODE 1)
EX. M/BASS/ K4F /T12 8 /C3/EF/E/ M /D X 3/EN2:GS:B/M;
A BAR LINE COMES FIRST, THEN BASS CLEF.
NEXT IS A 4 FLAT KEY SIGNATURE, FOLLOWED BY 12/8 TIME.
THE 3RD NOTE WILL BE AN 'E' WITH NO ACCIDENTAL.
A BAR LINE WILL PRECEED THE THREE Ds.
THE LAST 3 NOTES WILL BE AN E MAJOR CHORD.
ENDS WITH A BAR LINE.
(In the example above the spaces on either side of the
slashes are optional [to help proof reading]. The space
between 12 and 8 in "T12 8" is required.)
****HOW TO PUT NOTES ON STAFF ABOVE OR BELOW IN COMBINATION WITH A
CENTRAL STAFF.
/S+/ WILL CAUSE ANY FOLLOWING NOTES TO APPEAR ON THE STAFF WITH THE
NEXT HIGHER NUMBER. /S-/ WRITES ON THE NEXT LOWER STAFF.
/S0/ BRINGS THE NOTES BACK TO THE CENTRAL (ORIGINAL) STAFF.
IN MOST CASES THE /SD/ OR /SU/ FEATURES WILL BE USED IN CONJUNCTION
WITH /S+/, ETC. IN MOST CASES THE AUTOMATIC BEAM FEATURES
(EXPLAINED BELOW) WILL WORK PROPERLY WITH NOTES ON THE UPPER OR
LOWER STAVES.
**********************************
NEXT YOU WILL BE ASKED TO 'TYPE RHYTHM'.
'99' WILL BACK UP, '999' WILL ESCAPE FROM "SCORE" MODE.
A rhythmic duration must be given for each note, rest or
chord previously entered. (Clefs, bar lines, etc. should
ignored.)
THE MOST COMMON RHYTHMIC VALUES MAY BE ENTERED WITH LETTER NAMES.
S=SIXTEENTH, E=EIGHTH, Q=QUARTER, H=HALF, W=WHOLE, D=DOUBLE WHOLE,
T=TRIPLET(i.e.12th NOTES) , G=GRACE NOTE (OR 88TH)
'T' IN FRONT OF ANY OF THE LETTERS (EXCEPT 'G') WILL PRODUCE THE
TRIPLET VALUE OF THAT UNIT. E.G. 'TQ' = A TRIPLET QUARTER NOTE.
('T' CANNOT BE USED DIRECTLY IN FRONT OF NUMBERS!)
THESE ARE THE ONLY! LETTER NAMES THAT MAY BE USED. HOWEVER ANY
RHYTHMIC VALUE, NO MATTER HOW COMPLEX, MAY BE ENTERED IN NUMERICAL
FORM. 16=SIXTEENTH, 10=TEN IN THE TIME OF A WHOLE NOTE, 12=TWELVE IN
THE TIME OF A WHOLE NOTE(THE NORMAL TRIPLET), ETC. NUMBERS AND
LETTERS MAY BE MIXED IF DESIRED.
DOTTED RHYTHMS WILL AUTOMATICALLY PUT DOTS ON NOTES. MORE COMPLEX
RHYTHMS MUST BE DOTTED INDIVIDUALLY. (THEY WILL BE CORRECTLY
SPACED.)
4 16TH NOTES, A QUARTER, A DOTTED 8TH, 16TH, HALF,
3 TRIPLETS, AND A WHOLE NOTE FOLLOW:
16////4/8./16/2/12///1;
(OR: S////Q/E./S/H/T///W; )
**** FOR GRACE NOTES, TYPE 'G' OR RHYTHMIC VALUE OF 88.
AFTER THE RHYTHM HAS BEEN ENTERED THE NEXT REQUEST IS 'ADD
MARKS?' TYPE 'Y', 'N', 'G', 99 OR 999. IF 'YES' GIVE NOTE NUMBERS AND THE
ABBREVIATIONS FOR MARK NAMES. WHEN COUNTING NOTES, IGNORE RESTS, CLEFS
ETC. CHORDS COUNT AS 1 NOTE. THE ABBREVIATIONS FOR THE ACCENTS, ETC.
ARE W(EDGE), A(CCENT), FE(RMATA), S(TACCATO), T(ENUTO)(DASH), D(OWN BOW),
U(P BOW), H(ARMONIC), PL(US), HW (HEAVY WEDGE). FINGERINGS (0→5) ARE
ENTERED WITH THE DESIRED NUMBERS FOLLOWING THE LETTER 'F'. (/3 F1/6 F4/ )
"MUSICA FICTA" ACCIDENTALS (PUT ABOVE THE GIVEN NOTE) ARE FIF =b, FIS =#,
FIN =NAT.
---- ALL THE ABOVE BECOME "ATTACHED" TO THE NOTE HEAD. i.e. THEIR
PRESENCE IS MADE KNOWN BY NUMBERS IN P11. THE NEXT GROUP OF
ITEMS WILL BE CREATED AS SEPARATE ENTITIES.
C+, C- *****THESE WILL PRODUCE THE LINEAR CRESC. AND DECRESC. SIGNS.
WITH THESE TWO ITEMS ONLY! YOU MUST TYPE A SECOND POSITION NUMBER.
/1.3 C+ 3/ PUTS A CRESC. SIGN FROM BETWEEN NOTES 1 AND 2 EXTENDING
TO NOTE 3.
/.5 C- 3.5/ PUTS A DECRESC. SIGN FROM 1/2 WAY BETWEEN THE POSITION 1
(GIVEN EARLIER) AND NOTE 1 TO A POINT 1/2 WAY BETWEEN NOTES 3 AND 4.
O ***** = OTTAVA. THIS WILL PRODUCE 8va - - - - .
/4 O 7.4/ PUTS THE OTTAVA SIGN AND DASHES OVER NOTES 4 → 7.4.
THE HEIGHT IS CURRENTLY FIXED AT 15.
THE DYNAMICS, ETC. WHICH MAY BE ENTERED ARE:
PPP, PP, P, MP, MF, F, FF, FFF, FP, SF, SFZ, CRESC., DIM., ACCEL., RIT.
ALL THESE MAY BE PUT DIRECTLY UNDER NOTES, OR, BY USING FRACTIONAL NOTE
NUMBERS, BETWEEN NOTES.
/1.5 PP/ PUTS PP 1/2 WAY BETWEEN NOTES 1 AND 2.
UP TO 2 MARKS(I.E. NOT DYNAMICS, ETC., NO LIMIT ON THEM) MAY BE ENTERED
FOR EACH NOTE -- BUT EACH MARK MUST BE ENTERED SEPARATELY WITH ITS
NOTE NUMBER. IN ADDITION TO THE MARKS A DYNAMIC INDICATION, ETC. MAY BE
ENTERED FOR THE SAME NOTE. THE 1ST ENTERED WILL APPEAR THE FARTHEST
AWAY FROM THE NOTE HEAD. THE 2ND WILL APPEAR IN THE STANDARD POSITION.
EXAMPLE: 1 A / 6 A / 7 T / 10 S / 10 W;
= 1 ACCENT/6 ACCENT/7 TENUTO/10 STACCATO/10 WEDGE ACCENT
IF A CONTIGUOUS SERIES OF NOTES IS TO HAVE THE SAME MARK THE 1ST AND
LAST NOTE NUMBER SHOULD APPEAR BEFORE THE GIVEN CODE LETTER.
/2 7 S/ WILL PUT DOTS ON NOTES 2 THROUGH 7.
-------------------------------------------------------
NEXT YOU WILL BE ASKED 'ADD BEAMS?' TYPE 'Y', 'N' OR nB TO THIS.
nB WILL PLACE BEAMS AUTOMATICALLY. (SEE BELOW)
'99' WILL BACK UP, '999' WILL ERASE INPUT AND
LEAVE "SCORE" MODE.
'G' (FOR GO) (INSTEAD OF 'Y' OR 'N') WILL OMIT ALL FURTHER
PROMPTS IN THIS MODE.
BEAMS WILL BE ENTERED AUTOMATICALLY IF YOU TYPE nB; WHERE n=THE
NUMBER OF EIGHTH NOTES TO BE BEAMED TOGETHER. 2B; WILL BEAM BY
QUARTERS (I.E. 2 8THS), 3B; GIVES STANDARD BEAMING FOR 3/8 OR 6/8
TIME. DECIMAL NUMBERS MAY BE USED FOR N. THUS 1.5B; WOULD BEAM EACH
GROUP OF 3 16THS.
IF IRREGULAR BEAMS ARE NEEDED, GIVE THE NOTE NUMBERS FOR THE FIRST
AND LAST NOTES TO BE UNDER EACH BEAM. NORMALLY THE STEM DIRECTION
FOR ALL NOTES UNDER A BEAM WILL BE DETERMINED AUTOMATICALLY. HOWEVER
IF YOU SHOULD WISH TO GO AGAINST THE NORM ADD 100 TO THE 2ND NOTE
NUMBER TO INSURE THAT ALL STEMS GO UP OR ADD 200 (OR JUST '-') TO
MAKE ALL STEMS GO DOWN.
WHEN COUNTING NOTES, IGNORE RESTS, CLEFS ETC. CHORDS COUNT AS
ONE NOTE.
IF YOU HAVE 4 16TH NOTES (STEMS UP) FOLLOWED BY 2 QUARTERS
AND 3 8THS (YOU WISH TO BE SURE THE STEMS DOWN) TYPE:
1,4 / 7 209 ;
IF A NUMBER IS DESIRED OVER OR UNDER THE BEAM (FOR TRIPLETS, ETC.)
INCLUDE IT FOLLOWING THE DECIMAL POINT OF THE FIRST NUMBER OF THE
PAIR.
7.5 11/ PUTS THE NUMBER 5 OVER THE BEAM. (NOTES 7 THROUGH 11.)
SOME PARTIAL BEAMS MAY HAVE TO BE ADDED INDIVIDUALLY AS YET.
****** AUTOMATIC BEAMS ****** IN MOST SIMPLE SITUATIONS ALL THE
BEAMS MAY BE PLACED AUTOMATICALLY BY SIMPLY TYPING "2B;". (OR
"3B;", ETC. B=ONE 1/8 NOTE.) 2B; WILL CAUSE ALL LOGICAL BEAM
CONNECTIONS TO BE MADE IN TERMS OF DUPLE RHYTHM. USE 3B; FOR
TRIPLE RHYTHMS SUCH AS 3/8, 6/8, 9/8, ETC. THE BASIC UNIT FOR
2B; IS THE QUARTER NOTE AND THE BASIC UNIT FOR 3B; IS THE
DOTTED QUARTER. FOR 'PICK-UPS' TYPE THE NUMBER OF NOTES AND
RESTS INCLUDED IN THE 'PICK-UP' AFTER THE 2B OR 3B, ETC.
-------------------------------------------------------
LASTLY YOU WILL BE ASKED 'ADD SLURS?'
TYPE 'Y' OR 'N'. TO THIS.
IF SLURS ARE ADDED, THE ORDER NUMBERS OF THE NOTES AT THE BEGINNING
AND END OF THE SLUR MUST BE GIVEN. NORMALLY THE DIRECTION OF THE
'DIP' OF THE SLUR WILL BE DETERMINED BY THE STEM DIRECTION OF THE
FIRST NOTE INVOLVED. IF THE LAST NOTE UNDER A SLUR HAS THE OPPOSITE
STEM DIRECTION THEN THE VERTICAL POSITION OF THE RIGHT END OF THE
SLUR WILL BE JUST BEYOND THE END OF THE STEM. (WHEN BEAMS ARE
INVOLVED THE SLUR MAY POSSIBLY BUMP INTO THE BEAM. THESE SITUATIONS
MUST BE EDITED AFTER THE INPUT IS ENDED.)
SLURS MAY BE MADE TO GO COUNTER TO THE NORMAL BY ADDING 100
TO THE 2ND NOTE NUMBER TO INSURE THAT THE 'DIP' BE UPWARD OR BY
ADDING 200 (OR A - SIGN) TO THE 2ND NUMBER TO INSURE THAT THE 'DIP'
BE DOWNWARD.
THE AMOUNT OF CURVE WILL DEPEND ON THE CONFIGURATION OF THE
NOTES BETWEEN THE END POINTS. IN EXTREME SITUATIONS IT IS PROBABLE
THAT THE RESULT OF THIS AUTOMATIC PROCEDURE WILL HAVE TO BE EDITED.
A TYPICAL EXAMPLE OF INPUT: 2,-3/ 2,-7/ 8,11;
OR: 2 203/ 2 207/ 8 11;
THIS WILL PUT SLURS FROM 2ND TO 3RD NOTE, 2ND TO 7TH
AND 8TH TO 11TH.
TO TIE INTO THE 1ST NOTE, TYPE -1,1/ OR -1, -1/. THE TIE WILL BE
AT THE LEVEL OF THE FIRST NOTE. TO SLUR INTO THE FIRST NOTE, I.E.
THE SLUR WILL BE ABOVE OR BELOW THE NOTE HEAD, TYPE /-99 1/, ETC.
TO SLUR FROM THE LAST NOTE, TYPE /N,99;', 'N,199', 'N,299' OR N,-99;
WHERE N=NUMBER OF LAST NOTE. TO TIE FROM THE LAST NOTE TYPE /N X;
WHERE X=N+1.
***** NOTE THAT SOME TIES BETWEEN THE INNER NOTES OF TWO CHORDS
CANNOT BE DONE AUTOMATICALLY AS YET.
TO MAKE NUMBERED BRACKETS (FOR TRIPLETS, ETC.) INSTEAD OF SLURS, TYPE
THE NUMBER (ONE DIGIT ONLY, EDIT RESULTS FOR TWO-DIGIT NUMBERS)
DESIRED TO THE RIGHT OF THE DECIMAL OF THE FIRST OF A PAIR. THUS TO
PUT A BRACKETED 3 OVER NOTES 7 TO 9, TYPE 7.3 9/ . AS WITH SLURS,
THE SECOND NUMBER MAY BE NEGATIVE TO GET A DOWNWARD BRACKET.
∞∞∞∞∞ FOR 'BEAMS', 'MARKS' AND 'SLURS' EXTRA LINES OF INPUT MAY BE
GIVEN IF THEY END WITH '/' INSTEAD OF THE ';', WHICH IS
NEEDED TO SHOW THE END OF AN INPUT STRING.
ALL ITEMS ENTERED UNDER 'IN' OR 'READ' MAY BE EDITED LATER AS
IF THEY WERE ENTERED INDIVIDUALLY.
FOR 'READ': FOLLOWING IS THE FILE FORMAT FOR "SCORE" INPUT FROM
AN EXTERNALLY EDITED FILE. THE NAME OF THE FILE CAN HAVE NO MORE
THAN FIVE LETTERS.
*sp, st, pos1, pos2, fib (see next section for info.)
(NOTES) . . . ;
(RHYTHM) . . . ;
(ACCENTS) . . ; A SEMICOLON ONLY = NO MARKS
(BEAMS) . . ; " " " " " "
(SLURS) . . ; " " " " " "
(EXTRA LINES MAY BE ADDED WITH ALL ITEMS.)
THIS SEQUENCE MAY BE REPEATED SEVERAL TIMES. THE PROGRAM WILL
ASK FOR EACH OF THE STAFF NUMBERS.
AT THE BEGINNING OF THE 1ST LINE (NOTES) OF INPUT FOR EACH STAFF THE
CODE 'STn/' AND 'SPn/' MAY BE USED. 'STn/' WILL SPECIFY THE STAFF
NUMBER (n) TO BE USED. 'SPn/' SPECIFIES WHICH STAFF WILL BE REFERENCED
FOR AUTOMATIC SPACING. (SEE SECTION VI) WHEN THESE ARE USED THE
RELEVANT PROMPTS FROM THE PROGRAM ARE SUPPRESSED.
****** INPUT MODE 2 ********
IN THIS CASE ALL PERTINENT INFORMATION FOR EACH NOTE MUST APPEAR
BEFORE EACH SLASH. IF ANY PITCH OR RHYTHMIC INFORMATION IS MISSING
THE LAST GIVEN VALUES WILL BE REPEATED. INFORMATION FOR MARKS,
BEAMS AND SLURS MUST BE GIVEN IN THE FORM DESCRIBED BELOW.
INPUT MODE 2 IS ACTIVATED BY THE APPEARANCE OF '@' IN COLUMN 1 AT
THE TIME DATA REGARDING PITCHES WOULD NORMALLY BE EXPECTED.
EXAMPLE:
IN 2
1 200
@
TR/4 C4/ D / 8 EF/F// 16 G/ A/ 4//REP 4 3;
THIS MUSIC ON STAFF 2, FROM POS. 1 TO POS. 200.
THE FOLLOWING WILL APPEAR: - TREBLE CLEF, QUARTER-MIDDLE C, QUARTER-D,
EIGHTH-E FLAT, 2 TIMES 8TH-F, 16TH-G, 16TH-A, QUARTER-A, QUARTER-A,
THE LAST 4 ITEMS (G A A A)REPEAT A TOTAL OF 3 TIMES WITH THEIR GIVEN
RHYTHMS.
THERE WILL NOW BE NO FURTHER PROMPTS.
-------------------------------------------------------
******* SUMMARY OF SCORE CODES *******
NOTES C,D,E,F,G,A,B
ACCIDENTALS F,S,N,FF,SS
REST R, RI FOR INVISIBLE REST, RW FOR WHOLE REST ALWAYS.
CLEFS TR,BA,AL,TE -TR, -BA, ETC. =INVISIBLE CLEF
BAR, MEASURE M, MD
KEY SIG. KnS, KnF, KnsN
METER,TIME SIG. Tn,m n=TOP NUMBER, m=BOTTOM NUMBER
STEM DIRECTION SU-SD
STAFF NUM. STn
SPACING STAFF SPn
iXn REPEAT ITEM i A TOTAL OF n TIMES.
REP n,m REPEAT LAST n ITEMS A TOTAL OF m TIMES.
Xn m SAME AS REP.
ACCENT A
WEDGE W
HEAVY WEDGE HW
TENUTO T
STACCATO S
HARMONIC H
FERMATA FE
DOWN BOW D
UP BOW U
+(PLUS) PL
THESIS TH
ARSIS AR
MORDANT MO
INV. MORD. I
TRILL TR
WITH FLAT TRF
WITH SHARP TRS
WITH NATURAL TRN
PPP, PP, P, MP, MF, F, FF, FFF, FP, SF, SFZ
CRESC. C
ACCEL. AC
DIM. DI
RIT. R
< (CRESC.) n1 C+ n2
> (DECRESC.) n1 C- n2
OTTAVA n1 O n2
FINGERING F0 → F5
MUSICA FICTA FIF, FIS, FIN
TREMOLO(32) TM, TMT
TREMOLO(16) TMS
TREMOLO(8) TME
********* TO SET UP AUTOMATIC IRREGULAR RHYTHMIC SPACING *******
---- BEFORE TYPING 'IN' OR 'READ' TYPE 'SP' n to setup STAFF n as basis
for automatic spacing. OR, IF USING 'READ', PUT THE FOLLOWING TYPE
OF LINE AT THE TOP OF EACH STAFF'S INPUT.
*n1 n2 n3 n4 n5
n1 = THE NUMBER OF THE SPACING STAFF
n2 = THE NUMBER OF THE STAFF WHERE THIS SECTION OF INPUT WILL GO.
n3 AND n4 ARE THE LEFT AND RIGHT POSITION LIMITS. (POS1, POS2)
(IF n4 = 0 IT BECOMES THE DEFAULT VALUE OF 200.)
IF n5 IS NON-ZERO (e.g. =1) THE "PSEUDO-FIBONACCI" SPACING
FEATURE IS INVOKED.
NOTE THAT IF THERE ARE NOTES ON THE DESIGNATED SPACING STAFF (n1) THEN
n3 TO n5 WILL BE IGNORED. WHEN * IS USED AT LEAST n1 AND n2 MUST
ALWAYS APPEAR.
ALL FURTHER LINES ENTERED WITH 'IN' OR 'READ' WILL CONFORM
TO THE SPACING ON STAFF n1 UNLESS THE STAFF IS DELETED, OR
A NEW n1 IS GIVEN, OR 'SP' IS AGAIN TYPED, FOLLOWED BY SOME
NEW NUMBER.
******N.B. IF ANY EDITING OF STAFF n IS DONE BE SURE THAT THE
SPACE VALUES IN P9 OF NOTES OR P7 OF RESTS IS CORRECT. THE
AUTOMATIC SPACING IS BASED ON THESE VALUES. THE VALUES ARE
SET WHEN 'IN' OR 'READ' IS USED. THE BASIC VALUE IS ONE
QUARTER=1. HALF=2, WHOLE=4, EIGHTH=.5, SIXTEENTH=.25, ETC.
NOTE THAT 'SP' MUST BE RESET AFTER ANY RESTART OR WHEN
RE-RUNNING THE PROGRAM.
IT IS BEST TO ACCOUNT FOR ALL BAR LINES, CLEFS, METERS, ETC.
IN GENERAL, IT IS PROBABLY BETTER TO USE MANY SMALL VALUES ON
STAFF n. THIS WAY IT IS EASIER TO MAKE MANY DELICATE ADJUSTMENTS.
******* PARTS AND PAGE LAYOUT ********
THE PART EXTRACTOR-PAGE LAYOUT PROGRAM IS CURRENTLY (3/77) KNOWN AS
PAGE.DMP[1,3]. BEFORE USING 'PAGE' TO EXTRACT PARTS CERTAIN CONDITIONS
MUST BE MET IN THE FILES CONTAINING THE DATA FOR THE FULL SCORE.
THE STAFF FOR EACH INSTRUMENT IN THE SCORE MUST HAVE ITS UNIQUE NAME
(UP TO 5 LETTERS LONG.) THIS WILL RESIDE IN PARAMETER 9 OF EACH STAFF.
THE NAME IS ENTERED BY SETTING P9 TO 1. THEN 'MS' WILL ASK FOR A NAME.
IF SOMETIMES 2 INSTRUMENTS ARE ON THE SAME LINE GIVE ANOTHER NAME FOR
THAT LINE. SUPPOSE YOU HAVE 'OBOE1' AND 'OBOE2' LINES BUT OCCASIONALLY
THEY APPEAR ON A SINGLE SCORE LINE. IN THIS CASE GIVE THAT LINE A NAME
SUCH AS 'OBOEX'. THEN WHEN 'PT' IS RUN FOR EITHER 'OBOE1' OR 'OBOE2' YOU
MAY TELL IT ALSO TO USE ALL LINES LABELLED 'OBOEX'.
IF REHEARSAL NUMBERS, WITH EITHER CIRCLES (P8=1) OR BOXES (P8=2),
APPEAR IN THE SCORE THEY WILL APPEAR IN ALL THE PARTS.
ALL WORDS ASSOCIATED WITH A GIVEN STAFF WILL APPEAR IN THE PART USING
THAT STAFF. IF THE WORDS ARE TO APPEAR IN ALL THE PARTS EVEN THOUGH THEY
ARE ON ONLY ONE STAFF (AS WITH TEMPO INDICATIONS, ETC.) 100 MUST BE ADDED
TO EACH WORD'S SIZE FACTOR (P5). (NOTE HOWEVER THAT SINCE THE PARTS ARE
COMPLETELY RESPACED IT IS LIKELY THAT THE POSITIONS OF THE WORDS WILL HAVE
TO BE EDITED.)
*******BEFORE RUNNING 'PAGE' FOR THE PRODUCTION OF PARTS A SPECIAL CONTROL
FILE MUST BE SET UP USING THE ET EDITOR.
THE FIRST LINE WILL HAVE THE NAME.EXT OF THE FIRST FILE TO BE READ
FOLLOWED BY A STRING OF NUMBERS. THE NUMBERS INDICATE HOW MANY FILES ARE
ARE NEEDED FOR EACH COMPLETE SYSTEM IN THE FULL SCORE. UP TO 30 NUMBERS
MAY BE TYPED AFTER EACH FILE NAME. MORE LINES MAY BE ADDED BUT EACH LINE
MUST BEGIN WITH THE APPROPRIATE FILE NAME. ALL THIS ASSUMES THAT THE FULL
SCORE FILES WERE SET UP IN AN ALPHABETICAL (IN RE. TO THE 5TH LETTER
OF EACH NAME) ORDER. THE NAME EXTENSION IS NOT NEEDED AFTER THE FIRST
NAME GIVEN. THE PROGRAM ASSUMES NO CHANGES IN EXTENSION.
EXAMPLE: THE FULL SCORE (3 PGS.) HAS 3 SYSTEMS IN 3 FILES ON PAGE 1,
1 SYSTEM IN 4 FILES ON PG2. AND 2 SYSTEMS IN 4 FILES (2 FOR
EACH SYSTEM) ON PAGE 3. THE NAMES OF THE SCORE FILES ARE
(PG.1) SCR1A.SSA, SCR1B.SSA, SCR1C.SSA; (PG.2) SCR2A.SSA,
SCR2B.SSA, SCR2C.SSA, SCR2D.SSA; (PG.3) SCR3A.SSA,
SCR3B.SSA, SCR3C.SSA, SCR3D.SSA.
THE 'ET' FILE THEN SHOULD CONTAIN:
SCR1A.SSA 1 1 1 4 2 2
OR IT COULD BE (DOES THE SAME THING):
SCR1A.SSA 1 1 1
SCR2A 4
SCR3A 2 2
****RUNNING 'PAGE':
THE FIRST PROMPT FROM 'PAGE' IS '1=PARTS, 2=PAGE LAYOUT, 0=OLD'.
AFTER TYPING '1' YOU WILL BE ASKED FOR THE NAME OF YOUR CONTROL FILE. (IF
YOU TYPE ANY NUMBER AFTER THE FILE NAME AND A FEW SPACES IT WILL CAUSE ALL
INSTRUMENT NAMES FOUND IN THE SCORE FILES TO BE LISTED ON THE SCREEN.)
THEN YOU MUST TYPE THE NAME GIVEN FOR THE DESIRED PART. IF MORE THAN ONE
NAME IS NEEDED (SUCH AS 'OBOE1' AND 'OBOEX') FOLLOW THE NAME (USING UP AT
LEAST 5 SPACES) BY ANY NUMBER. THIS NUMBER WILL CAUSE PAGE TO ASK FOR AN
ADDITIONAL NAME. UP TO 4 DIFFERENT NAMES MAY BE GIVEN.
THE PROGRAM WILL THEN BEGIN READING THE FILES CONTAINING THE SCORE.
WHEN ALL THE INPUT HAS BEEN PROCESSED 'PAGE' WILL ASK FOR STAFF SIZE AND
TRANSPOSITION NUMBER. THE DEFAULT VALUES (<CR>) HERE ARE .9 AND 0. IF
MORE THAN 10 LINES ARE TO BE ON EACH PAGE OF A PART SET THE STAFF SIZE TO
A SMALLER VALUE. (E.G. .8) THE TRANSPOSITION NUMBER CAN BE BY 1/2 STEPS
(E.G. -2 WILL TRANSPOSE DOWN 2 HALF STEPS) OR BY THE LETTERS ASSOCIATED
WITH THE COMMON TRANSPOSING INSTRUMENTS. THE AVAILABLE TRANSPOSITIONS
ARE BF (Bb), BBF, AF, A, G, F, EF (Eb), EF- (EEb), D, DF, E, E-, F+, O-,
AND O+. THE MINUS SIGN INDICATES THE SOUNDING NOTE WILL BE BELOW THE
WRITTEN NOTE, THE PLUS MEANS THE SOUNDING NOTE IS ABOVE THE WRITTEN ONE.
O- = OCTAVE DOWN, O+ = OCTAVE UP.
NOTE THAT F TRANSPOSITIONS (FOR FRENCH HORN OR ENGLISH HORN) MAY BE IN
EITHER BASS OR TREBLE CLEF. (THE CLEF WILL REMAIN THE SAME AS IN THE
SCORE.) THE TRANSPOSITION BBF (FOR BASS CLAR.) HOWEVER WILL PRODUCE A
PART ALL IN TREBLE CLEF EVEN THOUGH SOME OF THE NOTES USE BASS CLEF IN THE
SCORE.
NEXT 'PAGE' WILL PRINT OUT A STRING OF NUMBERS SHOWING HOW MANY MEASURES
IT THINKS SHOULD BE ON EACH LINE. IF THE ARRANGEMENT AS GIVEN IS
SATISFACTORY A <CR> WILL ALLOW CONTINUATION ON TO THE NEXT STEP. IF YOU
WANT TO CHANGE THE LINE-MEASURE RELATIONSHIP IT MAY BE DONE IN TWO WAYS.
IF YOU TYPE ONE NUMBER IT WILL INDICATE THE TOTAL NUMBER OF LINES
DESIRED. THE PROGRAM WILL SHOW HOW MANY PAGES WILL BE USED.
TWO NUMBERS WILL INDICATE THE NUMBER OF PAGES AND THE NUMBER OF SYSTEMS PER
PAGE.
4 5 = 4 PAGES, 5 LINES PER PAGE
10 7 = 10 PAGES, 7 LINES PER PAGE
3 10 = 3 PAGES, 10 LINES PER PAGE
THE SECOND POSSIBILITY IS TO TYPE EXACTLY HOW MANY MEASURES YOU WANT ON
EACH LINE. (UP TO 50 NUMBERS MAY BE GIVEN.)
YOU MIGHT TYPE: 3 3 4 4 3 2 3 3 4 3 5 3 3 3 4
THIS WILL GIVE 15 LINES WITH THE NUMBERS OF BARS AS INDICATED.
NEXT YOU WILL BE ASKED TO TYPE THE FIRST OUTPUT FILE NAME.
YOU MUST! GIVE A 5-LETTER NAME. AS FILES ARE WRITTEN OUT 'PAGE' WILL
CHANGE THE LAST LETTER OF THE NAME IN ALPHABETICAL ORDER. AS EACH NEW
PAGE BEGINS THE 4TH LETTER OF THE NAME WILL BE ADVANCED AND THE 5TH
LETTER WILL BE RESET TO THE ORIGINAL FORM.
TYPICALLY YOU MIGHT GIVE FOR A FLUTE PART 'FLT1A' AS THE FIRST NAME.
'PAGE' WOULD WRITE OUT 'FLT1A', 'FLT1B' AND 'FLT1C' AND THEN AS THE SECOND
PAGE BEGINS IT WOULD WRITE 'FLT2A', 'FLT2B', ETC.
EACH TIME 'PAGE' IS RUN IT WRITES A GROUP OF TEMPORARY FILES, ALL WITH
THE EXTENSION '.PAG'.
IF YOU WISH TO REPROCESS THE DATA IN REGARD TO TRANSPOSITION, STAFF SIZE
OR LINE ARRANGEMENT, RUN 'PAGE' AGAIN BUT ANSWER THE FIRST PROMPT WITH
A 0 OR JUST <CR>.
THIS WILL CAUSE THE PROGRAM TO READ BACK THE .PAG FILES AND MOVE DIRECTLY
TO THE QUESTION REGARDING TRANSPOSITION AND STAFF SIZE.
EACH TIME YOU RUN THE PROGRAM IN THE ORDINARY WAY THE .PAG FILES ARE
REWRITTEN. THESE FILES SHOULD BE DELETED WHEN THEY HAVE NO FURTHER USE.
********** PAGE LAYOUT ************
CERTAIN CONDITIONS MUST BE MET TO USE THE LAYOUT FEATURE OF 'PAGE'.
ALL FILE NAMES MUST USE 5 LETTERS AND HAVE THE SAME EXTENSION. THE NAMES
MUST PROCEED IN A LOGICAL ORDER. I.E. THE 5TH AND 4TH LETTERS OF THE
NAMES MUST BE IN ALPHABETICAL OR NUMERIC ORDER. FOR EXAMPLE THE FOLLOWING
SEQUENCES ARE POSSIBLE: AAAAA.DMD→AAAAZ.DMD
OR AAAAA.DMD→AAAAD, AAABA→AAABD, AAACA→AAACE, ETC.
OR TRO1A.TRA→TRO1C, TRO2A→TRO2D, TRO3A→TRO3E, ETC.
ALL FILES MUST CONTAIN THE SAME NUMBER OF STAVES. MUSIC WHICH REQUIRES
MORE THAN ONE FILE PER BRACE CANNOT BE HANDLED BY 'PAGE'.
RHYTHMIC VALUES FOR ALL RESTS AND NOTES must BE FOUND IN P7 (RESTS) OR
P9 (NOTES). ALL THE SPACING FEATURES OF 'PAGE' DEPEND ON THE CONSISTENCY
OF THESE VALUES. THUS IF THE RHYTHMIC VALUES OF THE VARIOUS LINES WITHIN
A BRACE ARE NOT EQUAL YOU WILL GET AN ERROR MESSAGE. (PLEASE NOTE THAT
ONLY ONE NOTE OF A CHORD WILL HAVE A RHYTHMIC VALUE. LIKEWISE, ANY NOTES
ADDED BY MEANS OF 'IN' OR 'READ' TO A LINE WHICH ALREADY HAS SOME NOTES
WILL HAVE A ZERO RHYTHMIC VALUE SINCE THE PREVIOUS NOTES WILL ALREADY HAVE
THE LINE'S TOTAL RHYTHMIC VALUE.)
AFTER ALL THE FILES ARE READ IN OUTPUT WILL BE THE SAME AS WHEN PRODUCING
PARTS WITH THE PROGRAM.
MP ********** HOW TO RUN A PROOF ON THE 'XGP' **********
THE PROGRAM 'MP' WILL CREATE A FILE FOR THE XGP PROGRAM 'XM' OR FOR THE
CALCOMP PLOTTER. GENERALLY USE SIZE FACTOR = 1 FOR XGP PRINTING.
'MP' WILL FIRST ASK 'TYPE FILE NAME 1'. THE NAME MAY HAVE AN EXTENSION.
('NOSET' MAY BE TYPED HERE FOR OUTPUT THAT IS TO GO TO THE PLOTTER. THIS
WILL CAUSE THE PLOTTING TO START AT THE INITIALLY GIVEN VERTICAL POSITION
OF THE PEN.)
IF THE FILE NAMES FORM A SERIES OF 5 LETTER NAMES ENDING WITH
CONSECUTIVE LETTERS OF THE ALPHABET, YOU MAY TYPE THE FIRST NAME FOLLOWED
BY THE TOTAL NUMBER OF FILES THAT ARE TO BE PRINTED ON THAT SINGLE PAGE.
THE FILES WILL BE FOUND IN THE PROPER SEQUENCE. FOR EXAMPLE, 'TRC4A 4'
WILL PRINT FILES TRC4A THROUGH TRC4D. (HOWEVER THEY ARE PROCESSED IN
REVERSE ORDER.)
IF THE PAGE INVOLVES NAMES WHERE THE LAST LETTER OF THE NAMES ARE NOT
IN ALPHABETICAL ORDER, ALWAYS START WITH THE BOTTOM SECTION FIRST.
YOU WILL BE ASKED FOR FILE NAMES. WHEN THERE ARE NO MORE TO BE GIVEN TYPE
<CR>. THE QUESTION, "MOVE UP AT END?" SHOULD BE ANSWERED BY Y, N OR WITH
A NUMBER. A NUMBER WILL INDICATE THE NUMBER OF INCHES TO MOVE FROM THE
LEVEL OF STAFF 0 AT POSITION 0 TO STAFF 0, POSITION 0 IN THE SUCCEEDING
FILE. 'Y' WILL PLACE THE SUCCEEDING FILE'S LOWEST POINT ABOUT 1/2"
ABOVE THE HIGHEST POINT OF THE FIRST FILE. 'N' IS USED TO WRITE FILES
EXACTLY ON TOP OF ONE ANOTHER.
(AN ALTERNATIVE METHOD IS TO START WITH THE NAME ENDING WITH THE
LOWEST LETTER OF THE ALPHABET AND FOLLOW IT WITH THE NUMBER 99.
USING THE ABOVE EXAMPLE, ONE WOULD TYPE 'TRC4A 99'. THE PROGRAM WOULD
THEN LOOK FOR THE 'TRC4' FILE ENDING WITH HIGHEST LETTER OF THE ALPHABET -
I.E. 'TRC4D' - AND BEGIN BY PROCESSING THAT FILE, CONTINUING BACKWARDS
THROUGH THE ALPHABET.)
IF A SECOND NUMBER IS TYPED, THE FILES WILL BE EVENLY SPACED BY THAT
NUMBER OF INCHES BETWEEN THE BOTTOM OF EACH STAFF 0 -- AS DESCRIBED ABOVE.
Add 100 to this second number to make MP accept a new "string" of file
names (with the same extension). However there is a trick to this. All
files of each group are actually printed in reverse order, starting with
the bottom of the page and working upward.
Example: ---- TRC4A.XXX 3 100
---- TRX2B.XXX 2
This prints files in the following order, beginning at the page bottom:
TRC4C, TRC4B, TRC4A, TRX2C, TRX2B
A SIZE FACTOR OF 1 CREATES THE CORRECT WIDTH FOR 8 1/2" PAPER. TYPE A
SECOND NUMBER(1) AFTER 'SIZE FACTOR' TO MAKE HEAVIER STAFF LINES AND
LEDGER LINES. (SOMETIMES NECESSARY WITH XGP.)
WHEN THE PROGRAM HAS EXITED A FILE CALLED PLT.DMD HAS BEEN WRITTEN ON THE
DSK. THE DATA MAY NOW BE PRODUCED ON THE PLOTTER (BY USING THE PLOT
PROGRAM, PLT.DMP[MSS,LCS]) OR ON THE XGP (BY USING THE XGP PROGRAM, XM.)
(THE PLOT PROGRAM JUST ASKS FOR A FILE NAME, XM IS SELF-EXPLANATORY.)
WHEN USING PLT.DMP THE PEN MAY BE HORIZONTALLY CENTERED AS FOLLOWS.
MANUALLY MOVE THE PEN TO THE FAR LEFT OF THE PLOTTER UNTIL IT STOPS.
THEN TYPE JUST THE LETTER C <CR> TO THE PLOT PROGRAM. THIS WILL CAUSE
THE PEN TO MOVE EXACTLY 15 INCHES TO THE RIGHT (THE CENTER).
THEN TYPE THE FILE NAME TO BE PLOTTED. THE IMAGE MAY BE ROTATED 90
DEGREES BY FIRST TYPING 'R'. IN THIS CASE BE SURE YOU HAVE MOVED THE
PAPER SUPPLY IN A MANNER SO AS TO INSURE THAT THERE IS ADEQUATE ROOM
FOR THE IMAGE. THE 'BOTTOM' OF THE IMAGE WILL NOW BE TO THE FAR LEFT
ON THE PLOTTER.
********** JUST ***********
'JUST' [MSS,LCS] IS USED TO JUSTIFY FULL SCORE SYSTEMS WHICH REQUIRE
MORE THAN ONE FILE PER SYSTEM. IT SHOULD BE SELF-EXPLANATORY.
CURRENT ARRAY LIMITS: 350 ITEMS, 3000 PARAMETERS. 8 (0-7) STAVES.
INDEX TO SUBROUTINES:
FILE NAME:
FORTRAN PROGRAMS:
MSS
RESTS TAIL
REST
BREP
FERMTA
PNUM
CLEFS CLEFS
MOVER
WORDS WORDS
NAMEXT
TYPOUT
PRESCN
BMREAD
SLRSCL SLUR
SCL
IBLANK
BMX
ACSHFT
SETUP
TYPE
SETLET
BEAMX
GREDX VLINE
ASKIT
GRED
LPEN
SAVIT
LISTP
JUSTFY
HOMX
PRESCN PRESCN
CROCT
CROCX
UPMK
ONEUP
NUMS
LETS
ISGN
I2A
A2I
UPLIST
LETNUM
UPCNT
OUTX
ICHAR
TYPARY
READ
OUTIT
SCMSS
NOTBMS NOTES
MISMCH
RHYTH RHYTH
NOTNUM
DOTS
BEAMS BEAMS
BMREAD
SLURZ SLURZ
NREST
MARKZ MARKZ
XREAD
ZNOTE
MARKS
FAIL PROGRAMS:
LOOP LOOP
FINDIT
PLACE
DPYNEW
MVBEAM
MVBX
JUGGLE
XNOTE
BAUTO
SORT2
UPDATE
NEWR
MSSLUP
LUP2
HOMER
CODN
FSCAN
NALF
BOX
PARCH
SLOOP RNOTE
DRWNT
RDRAW
SLOOP
CIRCLE
RUNTHR
FILLMS FILLMS
DST
LL
MFAIL RJBX
CENTX
EXTEN
JDRAW
CENTER
LINX
UNPACK
ROFF
NOZERO
EXCH
BMS
IABS
ABS
RHORZ
RTLINE
FLOAT
IFIX
SCAN SCANR
LNEND
STFNM
RLOOP
NEW BMSTF
CODE4 ITMSUB
OLDTOP(?)
KSIG KSIG
METER
MAKNUM
NTSB NOTWRT
NTS NTS
STAFF
MOVE MOVIT
GETPTS
OUTLIM
COPYIT
UPDN
STFCH
DELETE
NOIR (DUMMY)
SLEND
POSIT
NOTAIL
MSSIO GETFI2
FASTI2
PUTEXT
EXTOUT
FINEXT
GETEXT
EXTIN
LOOKX
LOOK
LOOKD
LOOKF
(PAC)
(UNPAC)
TYPWRD
TYPSTR
TYPINT
TYPCRLF
TYPFLT
TYPCHR
LINES LINES
EDIT
FILES FOR PLOTTER AND XGP OUTPUT.
MPRNT MPRNT
WHY(?)
UNKNWN
ENDIT
ILLEGL
TOOMCH
PLTCMD
SLUR
MPRFAI MPRFAI
PSRT
PLOT3 PLOT
FILXGP FILLMS
DST
LL
LINXG LINES
(PLOTS)
NOIR
CLEFXG CLEFS
********** EARLY MUSIC NOTATION PACKAGE ************
TO CHANGE CONVENTIONAL NOTATION ENTERED WITH '14' OR '144' TO EARLY MUSIC
NOTATION, ADD 500 TO P4 OF ALL NOTES AND RESTS. (USE 'A' COMMAND.)
THE VARIOUS NOTE SHAPES ARE DETERMINED BY THE RHYTHMIC VALUE FOUND IN P9
(OR P7 WITH RESTS). THE SAME SHAPES CAN BE MADE BY PUTTING VALUES IN P6 IF
P9=0. THE FOLLOWING TABLE SHOWS NUMBERS FOR BOTH METHODS. THE RHYTHMIC
VALUE (P9 OR P7) COMES BEFORE THE SHAPE NAME. THE P6 VALUES FOLLOW EACH NAME.
THE STANDARD NOTE VALUES WOULD BE: DOUBLE WHOLE, WHOLE, 1/2, 1/4, 1/8, 1/16.
8 = MAXIMA = 20; 4 = LONGA = 21; 2 = BREVIS = 22;
1 = SEMIBREVE = 23; .5 = MINIM = 24; .25 = SEMIMINIM = 25;
SET 'COLORATION' IN P8 IF NOT SET BY RHYTH.(P9) -1=BLACK, 0=WHITE HERE.
MENSURATION SIGNS ARE CONSIDERED TO BE A FORM OF 'NOTE'. THE VERTICAL
POSITION IS SET IN P4 WITH THE 'ZERO' LEVEL BEING IN THE SECOND SPACE FROM
THE BOTTOM OF THE STAFF. (POSITION OF NOTE 'A'.)
SET P9 TO 0 AND P6 AS FOLLOWS.
MENSURATION SIGNS: P6 =30=C; 31=C WITH DOT IN MIDDLE; 32=C WITH SLASH;
33=O; 34=O WITH SLASH.
LIGATURES ARE CREATED FROM COMBINATIONS OF MAXIMA, LONGA AND BREVIS SHAPES
OR, FOR THE SLOPED SHAPES, BY SETTING P9=0 AND P6 EQUAL TO SOME NUMBER FROM
11 TO 19. FOR SLOPES IT IS THE SECOND DIGIT OF THE NUMBER THAT DETERMINES
THE GOAL OF THE SLOPE. IF THE NUMBER IS NEGATIVE THE SLOPE WILL BE DOWNWARD.
P4=504 P6=11 WILL MAKE A SLOPE FROM F (TREBLE CLEF) UP TO G.
IF P6=14 THE SLOPE WILL BE FROM F UP TO C. P4=508 P6=-14 WILL GIVE A
SLOPE DOWN FROM C TO F.
TO MOVE ANY SLOPING LIGATURE EXACTLY ITS OWN WIDTH TO THE LEFT (FOR COMB-
INED LIGATURES) SET P9 TO -1. P3 WILL THEN INDICATED THE POSITION OF ITS
RIGHT SIDE INSTEAD OF ITS LEFT SIDE.
FOR THE COMBINATION LIGATURES, FIRST SET P9 TO 0. NEXT THE RIGHT HAND
SQUARE WILL BE SET. P6=22 GIVES A SIMPLE SQUARE WITH NO STEM.(BREVIS)
FOR A DESCENDING STEM ON THE RIGHT SIDE, P6=21.(LONGA)
FOR AN ASCENDING STEM ON THE RIGHT SIDE, P6=29.
FOR A STEM ON THE LEFT SIDE OF THE SQUARE SET P7 TO A NEGATIVE NUMBER.
THE ABSOLUTE VALUE OF THIS NUMBER WILL DETERMINE THE LENGTH OF THE STEM.
THE DIRECTION OF THIS LEFT STEM IS SET IN P5. UP, P5=10; DOWN, P5=20.
THE LEFT HAND SQUARE IS IS BEST ENTERED BY MAKING A COPY OF THE RIGHT ONE.
WITH THE COPY, WHEN P5 IS SET TO -1 THE SQUARE PIVOTS ON ITS LEFT SIDE.
THIS NEW NOTE MAY BE MOVED UP OR DOWN TO THE PROPER POSITION. AS A
RESULT OF THIS PIVOTING A STEM THAT WAS ORIGINALLY ON THE RIGHT SIDE NOW
APPEARS ON THE LEFT SIDE.(STEM UP, P6=21; DOWN, P6=29) NO STEM CAN BE
PUT ON THE RIGHT SIDE OF A REVERSED NOTE. ANY STEM NEEDED IN THE CENTRAL
POSITION, BETWEEN THE TWO SQUARES, CAN BE ADDED TO THE RIGHT HAND NOTE BY
PUTTING THE PROPER VALUES IN P7 (NEGATIVE) AND P5 (10=↑, 20=↓). BY
CHANGING THE VALUES OF P7 THIS CENTRAL STEM MAY BE USED TO CONNECT THE
TWO NOTES TOGETHER AS WELL AS TO EXTEND BEYOND THE LEFT HAND NOTE.
BY USING THIS PIVOTING METHOD BOTH HALVES OF A TWO NOTE LIGATURE WILL
WILL HAVE THE SAME HORIZONTAL POSITION IN P3, WHICH WILL INDICATE THE
CENTER OF THE LIGATURE.
******* SOME COMMAND FILES (4/76) **********
RAIDE.CMD -------- LOADS WITH UPPER SEGMENT
%S MSS,GREDX,WORDS,MSSIO
,CLEFS,EARLY,RESTS,SCMSS,NOTBMS
,%1< %1B SLRSCL,BEAMS,RHYTH,HOMX,NTS,LOOP,SLOOP
,MFAIL,MOVE,FILLMS,CODE4,KSIG,ALPHA,JUSTFY
,LINES,SCAN,NTSB,NEW,SEGFIX,CURSOR.REL[MSS,LCS],%LSYS:LIB40 %V
MPE.CMD ---- FOR PROGRAM 'MP'
MPRNT,MSSIO,RESTS,CLEFXG,EARLY
, %1< ,NEW,NTSB,NTS,SEGFIX,CODE4,FILXGP,MPRFAI
,PLOT3,ALPHA,KSIG,SLOOP,MFAIL,LINXG,%LSYS:LIB40
MSE.CMD -- NO RAID -- USE THIS TO SAVE ON SYS.
MSS,GREDX,WORDS,MSSIO
,CLEFS,EARLY,RESTS,SCMSS,NOTBMS
,%1< SLRSCL,BEAMS,RHYTH,HOMX,NTS,LOOP,SLOOP
,MFAIL,MOVE,FILLMS,CODE4,KSIG,ALPHA,JUSTFY
,LINES,SCAN,NTSB,NEW,SEGFIX,CURSOR.REL[MSS,LCS],%LSYS:LIB40